The Art of the Saracens in Egypt |
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Page ix
... South Kensington Museum , Mr. Fortnum's corresponding Catalogue of the Maiolica , & c . , and Fischbach's Geschichte der Textil - Kunst have been consulted . Eastern historians are as a rule singularly destitute of the sort of ...
... South Kensington Museum , Mr. Fortnum's corresponding Catalogue of the Maiolica , & c . , and Fischbach's Geschichte der Textil - Kunst have been consulted . Eastern historians are as a rule singularly destitute of the sort of ...
Page 22
... South Kensington Museum ( figs . 35-8 . ) Such good deeds , and the magnanimous release of many prisoners , and not least , a bold foreign policy , as when he sent an army to capture towns on the distant borders of Armenia , could not ...
... South Kensington Museum ( figs . 35-8 . ) Such good deeds , and the magnanimous release of many prisoners , and not least , a bold foreign policy , as when he sent an army to capture towns on the distant borders of Armenia , could not ...
Page 84
... South Kensington Museum ( No. 1193-1883 ) , and also some ventilating chambers , open to the flat roof , on which are erected the sloping wooden screens or malkafs , so familiar to those who have looked down upon Cairo from the Citadel ...
... South Kensington Museum ( No. 1193-1883 ) , and also some ventilating chambers , open to the flat roof , on which are erected the sloping wooden screens or malkafs , so familiar to those who have looked down upon Cairo from the Citadel ...
Page 105
... South Kensington Museum . The difficulty of obtaining every variety of design was less than it would have been in a work of an earlier date ; for by the time of Kāït Bey the beauty of uniformity had been learnt , and the honest custom ...
... South Kensington Museum . The difficulty of obtaining every variety of design was less than it would have been in a work of an earlier date ; for by the time of Kāït Bey the beauty of uniformity had been learnt , and the honest custom ...
Page 106
... South Kensington Museum . Over each shop is first an oblong panel ( b ) of shallow arabesque carving , the full width of the recess forming the shop , and rather over two feet high . At each side ( figs . 17 , 18 ) of this , dividing it ...
... South Kensington Museum . Over each shop is first an oblong panel ( b ) of shallow arabesque carving , the full width of the recess forming the shop , and rather over two feet high . At each side ( figs . 17 , 18 ) of this , dividing it ...
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Common terms and phrases
Aleppo Amir arabesque Arabic Arabic inscription arches architecture arranged artists Ayyub Baghdad band Barkūk beasts beautiful Beybars Beysary birds blue border bowls bronze Cairene CARVED PANEL chased chief Citadel cloth colours Coptic churches Copts court Damascus decoration Demy 8vo designs dome doors Egypt Egyptian El-Ashraf El-Makrizy El-Melik En-Nasir enamel enclosed examples Fatimy Khalifs fess figures floral fourteenth century Fustat glass lamps gold houses Ibn-Tūlūn inlaid with silver ivory Kaït KAIT BEY Kalaun key-pattern Khalifs Koran Korāns lattice LATTICE-WORK lord Mamluk Mamluk Sultan marble medallions meshrebiya Mesopotamia metal-work minaret Mohammad Mohammadan mosaic Mōsil mosque Muslim Naskhy niche P. G. TAIT palace pattern Persian plaster plates princes pulpit reign rosettes round royal Saladin Saracenic art seen side silk South Kensington Museum spandrils stalactites stone style Sultan Hasan Syria thirteenth century throne tiles tomb two-headed eagle wall WEKALA OF KAIT wood Zenky عز لمولانا
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Page 37 - A band of lawless adventurers, slaves in origin, butchers by choice, turbulent, bloodthirsty, and too often treacherous, these slave kings had a keen appreciation for the arts which would have done credit to the most civilized ruler that ever sat on a constitutional throne.
Page 11 - ... to all appearance barbarians, prone to shed blood, merciless to their enemies, tyrannous to their subjects, yet delighting in the delicate refinements which art could afford them in their home life, lavish in the endowment of pious foundations, magnificent in their mosques and palaces, and fastidious in the smallest details of dress and furniture. Allowing all that must be allowed for the passion of the barbarian for display, we are still far from an explanation how the Turks chanced to be the...
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