The Round Table: Characters of Shakespear's PlaysJ.M. Dent & Sons, 1960 - 366 pages |
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Page 42
... force of our internal impressions ; it emanates most directly from our immediate or habitual feelings ; it is that which stamps its life and character on any action ; the rest may be performed by an automaton . What is it that makes the ...
... force of our internal impressions ; it emanates most directly from our immediate or habitual feelings ; it is that which stamps its life and character on any action ; the rest may be performed by an automaton . What is it that makes the ...
Page 127
... force of true reason by verbal forks , that is , distinctions , which signify no- thing , but serve only to astonish the multitude of ignorant men . ' That what we have here stated comprehends the whole force of his mind , which ...
... force of true reason by verbal forks , that is , distinctions , which signify no- thing , but serve only to astonish the multitude of ignorant men . ' That what we have here stated comprehends the whole force of his mind , which ...
Page 259
... force of individual passion , but of its dramatic vicissitudes and striking effects arising from the different circumstances and characters of the persons speaking . We see the ebb and flow of the feeling , its pauses and feverish ...
... force of individual passion , but of its dramatic vicissitudes and striking effects arising from the different circumstances and characters of the persons speaking . We see the ebb and flow of the feeling , its pauses and feverish ...
Contents
On the Love of Life | 1 |
On Modern Comedy | 7 |
On Mr Keans Iago | 14 |
Copyright | |
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Common terms and phrases
actor admiration affections Apemantus appear beauty Beggar's Opera Boccacio Cæsar Caliban character circumstances comedy common contempt Coriolanus critic CYMBELINE death delight Desdemona doth dramatic equal excited eyes Falstaff fame fancy favour fear feeling folly fool friends genius give Gonerill good-natured grace hath hear heart heaven Henry honour Hubert human humour Iago idea imagination indifference interest Julius Cæsar king lady Lear live look lord Macbeth Malvolio manner Marriage a-la-Mode MIDSUMMER NIGHT'S DREAM mind mistress moral nature never noble objects opinion Othello painted painter passages passion persons picture play pleasure poet poetry Prince principle reason refinement Regan Rembrandt Richard Richard II ROMEO AND JULIET scene seems sense sentiment Shakespear shew soul speak spirit stage sweet sympathy taste Tatler tenderness thee things thou art thought Titian Titus Andronicus tragedy true truth whole words writer youth