The Round Table: Characters of Shakespear's PlaysJ.M. Dent & Sons, 1960 - 366 pages |
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Page 19
... objects ; the associations connected with any one object extending to the whole class . My having been attached to any par- ticular person does not make me feel the same attachment to the next person I may chance to meet ; but , if I ...
... objects ; the associations connected with any one object extending to the whole class . My having been attached to any par- ticular person does not make me feel the same attachment to the next person I may chance to meet ; but , if I ...
Page 77
... objects themselves in nature would produce an impression on the sense , distinct from every other object , and having something divine in it , which the heart owns and the imagination consecrates , the objects in the picture preserve ...
... objects themselves in nature would produce an impression on the sense , distinct from every other object , and having something divine in it , which the heart owns and the imagination consecrates , the objects in the picture preserve ...
Page 133
... objects , the real variety and dissipation goes , there is no difference between M. Grimm and a courtier of Francis 1. - between the consummate philosopher and the giddy girl - between Paris , amidst the barbaric refinements of the ...
... objects , the real variety and dissipation goes , there is no difference between M. Grimm and a courtier of Francis 1. - between the consummate philosopher and the giddy girl - between Paris , amidst the barbaric refinements of the ...
Contents
On the Love of Life | 1 |
On Modern Comedy | 7 |
On Mr Keans Iago | 14 |
Copyright | |
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Common terms and phrases
actor admiration affections Apemantus appear beauty Beggar's Opera Boccacio Cæsar Caliban character circumstances comedy common contempt Coriolanus critic CYMBELINE death delight Desdemona doth dramatic equal excited eyes Falstaff fame fancy favour fear feeling folly fool friends genius give Gonerill good-natured grace hath hear heart heaven Henry honour Hubert human humour Iago idea imagination indifference interest Julius Cæsar king lady Lear live look lord Macbeth Malvolio manner Marriage a-la-Mode MIDSUMMER NIGHT'S DREAM mind mistress moral nature never noble objects opinion Othello painted painter passages passion persons picture play pleasure poet poetry Prince principle reason refinement Regan Rembrandt Richard Richard II ROMEO AND JULIET scene seems sense sentiment Shakespear shew soul speak spirit stage sweet sympathy taste Tatler tenderness thee things thou art thought Titian Titus Andronicus tragedy true truth whole words writer youth