Its gate repels lest it too soon be tried, ABOU BEN ADHEM. ABOU BEN ADHEM (may his tribe increase!) "What writest thou?" The vision raised its head, And with a look made of all sweet accord, Answered, "The names of those who love the Lord!" "And is mine one?" said Abou. "Nay, not so," Replied the angel. Abou spake more low, The angel wrote and vanished. The next night RONDEAU. JENNY kissed me when we met, Jumping from the chair she sat in; Time, you thief, who love to get Sweets into your list, put that in: Say I'm weary, say I'm sad, Say that health and wealth have missed me, Say I'm growing old, but add, Jenny kissed me. THOMAS MOORE. As the friend and friendly biographer of Byron, Moore was not averse to having their names coupled on these terms. He was apparently content with his flattering popularity as the associate with and the lively entertainer of eminent people and aristocratic persons. But he was a genuine song-writer and a poet, though not of the highest class. He was born in Dublin in 1779, distinguished himself in its University and published his Anacreontics in 1800, dedicated to the Prince of Wales. This social success in translations led to the publication of a book of original erotic verse entitled, "Poetical Works of the Late Thomas Little," of which, when found out and convicted, he frankly said he was ashamed. His popularity gained him appointment to an office in the Bermudas, which enabled him to visit America, the result being volume of "Odes and Epistles" in 1806. His "Irish M lodies" were and always will be extraordinarily popular in the best sense. To the ancient melodies, arranged by Sir John Stevenson, Moore wrote his charming verses. He afterwards did the same with the airs of other nations, but with less success. In 1817 appeared "Lalla Rookh" (Tulip-cheeked), his principal poem. Though Moore had no personal knowledge of the East he managed by careful study to infuse the true oriental spirit into this romantic tale of the love pilgrimage of Emperor Aurungzebe's beautiful daughter. The entire poem is oppressively rich in gorgeous scenes and dazzling imagery, but has many passages of true poetical beauty, simple and striking. After this Moore visited Paris, and in his "Fudge Family in Paris" he satirized in pungent style the boorish manners of the English abroad. He did constant ser vice in various departments of journalism, and published a number of clever books in prose and verse, which were collected into a uniform edition in 1842. His vivacious and well-stored mind gave way some years before his death in 1852. LOVE'S YOUNG DREAM. OH! the days are gone, when Beauty bright When my dream of life from morn till night New hope may bloom, But there's nothing half so sweet in life No, there's nothing half so sweet in life Though the bard to purer fame may soar, Though he win the wise, who frown'd before, He'll never meet A joy so sweet, In all his noon of fame, As when first he sung to woman's ear And, at every close, she blushed to hear No-that hallow'd form is ne'er forgot Still it lingering haunts the greenest spot On memory's waste. 'Twas odor filed As soon as shed; 'Twas morning's wingéd dream; "Twas a light that ne'er can shine again Oh! 'twas light that ne'er can shine again THE VALE OF CASHMERE. (From "Lalla Rookh.") WHO has not heard of the Vale of Cashmere, Its splendor at parting a summer eve throws, When the shrines through the foliage are gleaming half shown, Here the music of prayer from a minaret swells, Here the Magian his urn, full of perfume, is swinging, Round the waist of some fair Indian dancer is ringing. From the cool, shining walks where the young people meet Or at morn, when the magic of daylight awakes THE TEMPLE OF ISIS. (From "The Epicurean.") ALCIPHRON, a young Athenian, being chosen chief of the Epicureans, in 257 A.D., went to Egypt to learn wisdom from the priests. By some strange adventures he became acquainted with Alethe, who though brought up as a priestess of Isis, was really a Christian, imper. fectly taught. The rising of the Moon, slow and majestic, as if conscious of the honors that awaited her upon earth, was welcomed with a loud acclaim from every eminence, where multitudes stood watching for her first light. And seldom had she risen upon a scene more beautiful. Memphis—still grand, though no longer the unrivaled Memphis, that had borne away from Thebes the crown of supremacy, and worn it undisputed through so many centuries,-now softened by the moonlight that harmonized with her decline, shone forth among her lakes, her pyramids, and her shrines, like a dream of glory that was soon to pass away. Ruin, even now, was but too visible around her. The sands of the Libyan desert gained upon her like a sea; and, among solitary columns and sphinxes, she was already half sunk from sight. Time seemed to stand waiting, till all, that now flourished around, should fall beneath his desolating hand, like the rest. On the waters all was life and gaiety. As far as eye could reach, the lights of innumerable boats were seen, studding, like rubies, the surface of the stream. Vessels of all kinds, -from the light coracle, built for shooting down the cataracts to the large yacht that glides to the sound of flutes,—all were afloat for this sacred festival, filled with crowds of the young and gay, not only from Memphis and Babylon, but from cities still farther removed from the scene. As I approached the island, I could see, glittering through the trees on the bank, the lamps of the pilgrims hastening to the ceremony. Landing in the direction which those lights pointed out, I soon joined the crowd; and, passing through a long alley of sphinxes, whose spangling marble shone out from the dark sycamores around them, in a short |