Coming of Age in ShakespeareMarjorie Garber examines the rites of passage and maturation patterns--"coming of age"--in Shakespeare's plays. Citing examples from virtually the entire Shakespeare canon, she pays particular attention to the way his characters grow and change at points of personal crisis. Among the crises Garber discusses are: separation from parent or sibling in preparation for sexual love and the choice of husband or wife; the use of names and nicknames as a sign of individual exploits or status; virginity, sexual initiation and the acceptance of sexual maturity, childbearing and parenthood; and, finally, attitudes toward death and dying. |
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... Cordelia and Cressida in their transi- tion from one stage to another . Similarly death and mourning , which we might consider to be self - evidently rites of separation , frequently include rites of incorporation as well : for the de ...
... Cordelia and Cressida in their transi- tion from one stage to another . Similarly death and mourning , which we might consider to be self - evidently rites of separation , frequently include rites of incorporation as well : for the de ...
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... Cordelia or Desdemona , who seem so attractive when first we meet them , and who retain their attractiveness for us throughout the play ? Is a term like ' maturity ' ( or its invidious opposite , ' immaturity ' ) applicable to them ...
... Cordelia or Desdemona , who seem so attractive when first we meet them , and who retain their attractiveness for us throughout the play ? Is a term like ' maturity ' ( or its invidious opposite , ' immaturity ' ) applicable to them ...
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Contents
SEPARATION AND INDIVIDUATION | 30 |
PLAIN SPEAKING | 80 |
WOMENS RITES | 116 |
COMPARISON AND DISTINCTION | 174 |
Lenvoy | 242 |
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Common terms and phrases
acceptance action Antony appears audience bear becomes begins brother Brutus Caesar characters child choice Claudio close comes comparison contrast Coriolanus course daughter dead death described effect example face fact father figures final followed give glass Hamlet hand hear Henry Hero human husband identity individual initiation Juliet kind king Lady language live look lost lovers Macbeth marriage married maturity means Measure metaphor mind mirror mother nature never night noted observed offers once pattern perhaps plain play present Press Prince rhetoric Richard ring rites ritual role Romeo says scene seems seen sense separation sexual Shakespeare's similar social society soliloquy speak speech stage suggests symbolic tell thee thing thou tion tragedy truth turn twinned virginity wife woman women York young