The Album, Volume 3J. Andrews., 1823 - Great Britain |
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Page 8
... Never- theless , an English play would have been ill adapted to an Athenian audience ; -and the variety of incident to which we have been accustomed , renders us utterly incapable of bearing their simplicity of plot , and uni- formity ...
... Never- theless , an English play would have been ill adapted to an Athenian audience ; -and the variety of incident to which we have been accustomed , renders us utterly incapable of bearing their simplicity of plot , and uni- formity ...
Page 11
... Never was such subtlety , such wariness de- picted , as in the gradual and unobserved attempt of Iago to darken the mind of Othello with the horrors of jealousy . The first avowal of his design , hitherto known- Oh ! beware , my lord ...
... Never was such subtlety , such wariness de- picted , as in the gradual and unobserved attempt of Iago to darken the mind of Othello with the horrors of jealousy . The first avowal of his design , hitherto known- Oh ! beware , my lord ...
Page 12
... Never did any writer display human nature in so many forms , all so true , and so dis- tinct from each other ; even in his supernatural beings , he has embodied a perfect representation of those whom he wishes to delineate . It may seem ...
... Never did any writer display human nature in so many forms , all so true , and so dis- tinct from each other ; even in his supernatural beings , he has embodied a perfect representation of those whom he wishes to delineate . It may seem ...
Page 25
... never since been represented . Mr. Milman's Fazio has much poetical beauty , but the plot is too inartificial to admit of an effective repre- sentation . The author has fallen into an error de- cidedly contrary to that which we have ...
... never since been represented . Mr. Milman's Fazio has much poetical beauty , but the plot is too inartificial to admit of an effective repre- sentation . The author has fallen into an error de- cidedly contrary to that which we have ...
Page 26
... never bring this already long arti- cle to a conclusion . We cannot , however , but name the interview ( which is almost entirely in dialogue ) between Jeanie Deans and her sister in prison , as , per- haps , the most striking instance ...
... never bring this already long arti- cle to a conclusion . We cannot , however , but name the interview ( which is almost entirely in dialogue ) between Jeanie Deans and her sister in prison , as , per- haps , the most striking instance ...
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Common terms and phrases
Adam Blair admirable Æschylus Ali Pacha ancient Angels Apis appeared arms beautiful body called Captain Franklin Catline character Charles Kemble colour composite order death delight dramatic effect expression eyes Faulconbridge Faust feeling feet fire Fort Chipewyan genius Gibeah give Glenoe Græme Greeks hand happiness head heard heart heaven Hepburn honour Hood human imagination inches Indians language less lips living look Lord Lord Byron Lucy manner means ment Meph Mephistopheles mind Morea Mussulmen mysteries nature never night Osiris Othello passed passion Peloponnesus perhaps person Phorcys play poetical poetry racter reader recollection rites round scarcely scene seemed seen Serapeum Serapis Shakspeare shew side snow soul speak spirit style success taste thing thou thought tion tragedy tribe tripe de roche truth turn voice whilst whole words writing young
Popular passages
Page 21 - I'll not shed her blood, Nor scar that whiter skin of hers than snow, And smooth as monumental alabaster. Yet she must die, else she'll betray more men. Put out the light, and then put out the light.
Page 298 - Her feet beneath her petticoat Like little mice stole in and out, As if they feared the light: But, oh ! she dances such a way— No sun upon an Easter day Is half so fine a sight.
Page 410 - A countenance in which did meet Sweet records, promises as sweet ; A creature not too bright or good For human nature's daily food, For transient sorrows, simple wiles, Praise, blame, love, kisses, tears, and smiles.
Page 429 - Why, this is hell, nor am I out of it. Think'st thou that I, who saw the face of God And tasted the eternal joys of heaven, Am not tormented with ten thousand hells, In being depriv'd of everlasting bliss?
Page 388 - In a dramatic composition the imagery and the passion should interpenetrate one another, the former being reserved simply for the full developement and illustration of the latter. Imagination is as the immortal God which should assume flesh for the redemption of mortal passion.
Page 410 - She was a Phantom of delight When first she gleamed upon my sight; A lovely Apparition sent To be a moment's ornament; Her eyes as stars of Twilight fair; Like Twilight's, too, her dusky hair; But all things else about her drawn From May-time and the cheerful Dawn; A dancing Shape, an Image gay, To haunt, to startle, and waylay.
Page 153 - And falling and brawling and sprawling, And driving and riving and striving, And sprinkling and twinkling and wrinkling, And sounding...
Page 97 - Tis but as ivy-leaves around the ruin'd turret wreath, All green and wildly fresh without, but worn and grey beneath. Oh, could I feel as I have felt, — or be what I have been, Or weep as I could once have wept, o'er many a vanish'd scene ; As springs in deserts found seem sweet, all brackish though they be, So, midst the wither'd waste of life, those tears would flow to me.
Page 94 - My joy was in the Wilderness, to breathe The difficult air of the iced mountain's top, Where the birds dare not build, nor insect's wing Flit o'er the herbless granite...
Page 153 - Sounds and motions forever and ever are blending, All at once and all o'er, with a mighty uproar, — And this way the water comes down at Lodore.