A Treasury of Plays for ChildrenMontrose Jonas Moses |
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Page 17
... hold while I tell you that story I promised you . LILLY . Oh , do tell us a story , Sara . [ Puts doll on chair . JESSIE . Oh , yes , do . CHILDREN . Oh ! SARA . I may not have time to finish it before the company comes but I'll tell ...
... hold while I tell you that story I promised you . LILLY . Oh , do tell us a story , Sara . [ Puts doll on chair . JESSIE . Oh , yes , do . CHILDREN . Oh ! SARA . I may not have time to finish it before the company comes but I'll tell ...
Page 22
... hold your doll ? SARA . Yes , dear . [ Lottie takes doll to Donald , who boxes it away from him , boy fashion . LOTTIE ( taking doll out of harm's way ) . He's one of the large family across the street the ones you make up stories about ...
... hold your doll ? SARA . Yes , dear . [ Lottie takes doll to Donald , who boxes it away from him , boy fashion . LOTTIE ( taking doll out of harm's way ) . He's one of the large family across the street the ones you make up stories about ...
Page 36
... ( Holds them tight in arms ) I want them ! ERMENGARDE . Take them then , - you're welcome . I wish I wanted them . SARA ( cheerfully ) . Well , that's all right . I'm so glad . ( Puts books on floor beside her ) Now let's tell each other ...
... ( Holds them tight in arms ) I want them ! ERMENGARDE . Take them then , - you're welcome . I wish I wanted them . SARA ( cheerfully ) . Well , that's all right . I'm so glad . ( Puts books on floor beside her ) Now let's tell each other ...
Page 49
... ( Hold- ing it to face , then putting it on ) It is real - it is , it must be . It's warm , it's soft . ( Puts feet in slippers , cries out ) Slip- pers they are real too . They are real , it's all real . I am not — I am not dreaming ...
... ( Hold- ing it to face , then putting it on ) It is real - it is , it must be . It's warm , it's soft . ( Puts feet in slippers , cries out ) Slip- pers they are real too . They are real , it's all real . I am not — I am not dreaming ...
Page 57
... ( Holds out his hand ) Come here . ( To Ram Dass ) Ram Dass , take the monkey away . ( Exit Ram Dass with monkey . To Sara ) Come , you live next door , do you not ? SARA . Yes , sir , I live at Miss Minchin's . CARRISFORD . She keeps a ...
... ( Holds out his hand ) Come here . ( To Ram Dass ) Ram Dass , take the monkey away . ( Exit Ram Dass with monkey . To Sara ) Come , you live next door , do you not ? SARA . Yes , sir , I live at Miss Minchin's . CARRISFORD . She keeps a ...
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Common terms and phrases
ADOLPH ALICE ARBUTUS Arthur Aunt Becky BLINDMAN CARMICHAEL CAROLINE CARRISFORD CASPAR child CINDERELLA comes CUBERT curtain DAME MORNA dance David dear doll door DUCHESS DUMPTY Enter ERMENGARDE Exit Fairy father FRAU BUDEL Frog GIRL Goblins goes Good-bye Gregory GRYPHON GUINEVERE GWENDA hand Hank HASKINS HATTER head HEADSMAN heard heart Herr Hesta IMOGEN JANE JULIUS CÆSAR KING SHADOWCOB knight KRONFELDT lady laughing Lavender Town lentils look LOTTIE MABINA Majesty MARCH HARE MARGARET MARTIN MASTER-PLAYER MILKMAID MIME MISS MINCHIN MOCK TURTLE MOLLY Moss Bud mother MOUSE EAR never NICK Paul PEACH BLOOM PICKLE PINKIE play POET Princess PUNCH Ram Dass Ratkin RED QUEEN Ring SABRINA SARA SERGEANT sing SIR GAWAYNE SIR KAY SLEEPING BEAUTY song tell theater There's things Thomas TOMMY TOYMAKER turns TWINKLE Ursa voice waxworks WHISPER WHITE QUEEN WHITE RABBIT window
Popular passages
Page 416 - Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more All hopping through the frothy waves, And scrambling to the shore.
Page 413 - Would you tell me, please, which way I ought to go from here?" "That depends a good deal on where you want to get to,
Page 417 - It seems a shame,' the Walrus said, 'To play them such a trick. After we've brought them out so far, And made them trot so quick!' The Carpenter said nothing but 'The butter's spread too thick!' 'I weep for you,' the Walrus said: 'I deeply sympathize.
Page 424 - I — I hardly know, sir, just at present — at least I know who I was when I got up this morning, but I think I must have been changed several times since then.
Page 421 - Ah, well! It means much the same thing," said the Duchess, digging her sharp little chin into Alice's shoulder as she added, "and the moral of that is — " Take care of the sense, and the sounds will take care of themselves.
Page 391 - Twas brillig, and the slithy toves Did gyre and gimble in the wabe; All mimsy were the borogoves, And the mome raths outgra.be. "Beware the Jabberwock, my son! The jaws that bite, the claws that catch! Beware the Jubjub bird and shun The frumious Bandersnatch!
Page 402 - ... he's treading on my tail. See how eagerly the lobsters and the turtles all advance! They are waiting on the shingle— will you come and join the dance? Will you, won't you, will you, won't you, will you join the dance? Will you, won't you, will you, won't you, won't you join the dance? 'You can really have no notion how delightful it will be When they take us up and throw us, with the lobsters, out to sea!' But the snail replied 'Too far, too far!
Page 397 - When I use a word ... it means just what I choose it to mean - neither more nor less.
Page 406 - ... might just as well say that 'I see what I eat' is the same thing as 'I eat what I see'!" "You might just as well say...
Page 392 - Alice, still panting a little, "you'd generally get to somewhere else — if you ran very fast for a long time as we've been doing." "A slow sort of country!" said the Queen. "Now, here, you see, it takes all the running you can do, to keep in the same place. If you want to get somewhere else, you must run at least twice as fast as that!