A Treasury of Plays for ChildrenMontrose Jonas Moses |
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... Voice . Low Voice Edited by James Huneker ROBERT FRANZ : FIFTY SONGS High Voice . Low Voice Edited by William Foster Apthorp EDVARD GRIEG : FIFTY SONGS High Voice . Low Voice Edited by Henry T. Finck GEORGE FRIDERIC HANDEL VOL . I ...
... Voice . Low Voice Edited by James Huneker ROBERT FRANZ : FIFTY SONGS High Voice . Low Voice Edited by William Foster Apthorp EDVARD GRIEG : FIFTY SONGS High Voice . Low Voice Edited by Henry T. Finck GEORGE FRIDERIC HANDEL VOL . I ...
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... voice - users will be able to find contained herein the information they require for their guidance ; so many of those in authority know that voice - production is necessary for teachers and yet scarcely understand what voice ...
... voice - users will be able to find contained herein the information they require for their guidance ; so many of those in authority know that voice - production is necessary for teachers and yet scarcely understand what voice ...
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... voices of Ego and Spirit. Do I have a voice? You can and should have a voice. However, if your ego is imbalanced, your ego is doing the talking most of the time and you are doing the listening, even though you don't realize it. Egoic ...
... voices of Ego and Spirit. Do I have a voice? You can and should have a voice. However, if your ego is imbalanced, your ego is doing the talking most of the time and you are doing the listening, even though you don't realize it. Egoic ...
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... voice of God, whether inside or outside of meditation. 2. “Nothing happens when I try to hear the voice of God. Maybe it works for other people, but not for me. I'm just a brick wall.” In this book you will learn ways to break down the ...
... voice of God, whether inside or outside of meditation. 2. “Nothing happens when I try to hear the voice of God. Maybe it works for other people, but not for me. I'm just a brick wall.” In this book you will learn ways to break down the ...
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... voice is also political in that it subverts the neoliberal autonomy of the subject, as Eva Feder Kittay has articulated: liberalism invokes a notion of political participation in which one makes one's voice heard. It depends on a ...
... voice is also political in that it subverts the neoliberal autonomy of the subject, as Eva Feder Kittay has articulated: liberalism invokes a notion of political participation in which one makes one's voice heard. It depends on a ...
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Common terms and phrases
ADOLPH ALICE ARBUTUS Arthur Aunt Becky BLINDMAN CARMICHAEL CAROLINE CARRISFORD CASPAR child CINDERELLA comes CUBERT curtain DAME MORNA dance David dear doll door DUCHESS DUMPTY Enter ERMENGARDE Exit Fairy father FRAU BUDEL Frog GIRL Goblins goes Good-bye Gregory GRYPHON GUINEVERE GWENDA hand Hank HASKINS HATTER head HEADSMAN heard heart Herr Hesta IMOGEN JANE JULIUS CÆSAR KING SHADOWCOB knight KRONFELDT lady laughing Lavender Town lentils look LOTTIE MABINA Majesty MARCH HARE MARGARET MARTIN MASTER-PLAYER MILKMAID MIME MISS MINCHIN MOCK TURTLE MOLLY Moss Bud mother MOUSE EAR never NICK Paul PEACH BLOOM PICKLE PINKIE play POET Princess PUNCH Ram Dass Ratkin RED QUEEN Ring SABRINA SARA SERGEANT sing SIR GAWAYNE SIR KAY SLEEPING BEAUTY song tell theater There's things Thomas TOMMY TOYMAKER turns TWINKLE Ursa voice waxworks WHISPER WHITE QUEEN WHITE RABBIT window
Popular passages
Page 416 - Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more All hopping through the frothy waves, And scrambling to the shore.
Page 413 - Would you tell me, please, which way I ought to go from here?" "That depends a good deal on where you want to get to,
Page 417 - It seems a shame,' the Walrus said, 'To play them such a trick. After we've brought them out so far, And made them trot so quick!' The Carpenter said nothing but 'The butter's spread too thick!' 'I weep for you,' the Walrus said: 'I deeply sympathize.
Page 424 - I — I hardly know, sir, just at present — at least I know who I was when I got up this morning, but I think I must have been changed several times since then.
Page 421 - Ah, well! It means much the same thing," said the Duchess, digging her sharp little chin into Alice's shoulder as she added, "and the moral of that is — " Take care of the sense, and the sounds will take care of themselves.
Page 391 - Twas brillig, and the slithy toves Did gyre and gimble in the wabe; All mimsy were the borogoves, And the mome raths outgra.be. "Beware the Jabberwock, my son! The jaws that bite, the claws that catch! Beware the Jubjub bird and shun The frumious Bandersnatch!
Page 402 - ... he's treading on my tail. See how eagerly the lobsters and the turtles all advance! They are waiting on the shingle— will you come and join the dance? Will you, won't you, will you, won't you, will you join the dance? Will you, won't you, will you, won't you, won't you join the dance? 'You can really have no notion how delightful it will be When they take us up and throw us, with the lobsters, out to sea!' But the snail replied 'Too far, too far!
Page 397 - When I use a word ... it means just what I choose it to mean - neither more nor less.
Page 406 - ... might just as well say that 'I see what I eat' is the same thing as 'I eat what I see'!" "You might just as well say...
Page 392 - Alice, still panting a little, "you'd generally get to somewhere else — if you ran very fast for a long time as we've been doing." "A slow sort of country!" said the Queen. "Now, here, you see, it takes all the running you can do, to keep in the same place. If you want to get somewhere else, you must run at least twice as fast as that!