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ciate Peter Prune, as much as to say “I would not be a good offer in her way.") She hoped the company had been feasted to their satisfaction (applause) : she left the management of the wine to Mr. Blueball, but in justice to herself, she must say she bought the almonds and raisins from Groom's opposite, and blanched the former with her own hands. (Great and continued applause.) 7 P. M.

Sad symptoms of music. Heard Bob Blueball squeaking a preparatory tenor, and Mr. Peter Prune, who piques himself upon his base, grumbling in his gizzard. Anticipated with horror the accustomed routine, viz. “ Hark the lark," the “ Loadstars," " When shall we three meet again,” and “Drink to me only,” for the ninetyninth time. Entertained an apprehension that the parties might even be "Deserted by the waning moon," when providentially a cry of “ Fire!" saluted our ears from the street. Ran to the window, threw back the curtain, and found it to proceed from two butcher's boys, who with pop-guns were playing at duels. Said nothing, but walked back with a grave face. Wife in hysterics already. Beheld the Albion engines pumping in at the parlour-window. Insisted, if I loved her, that I should call a hackney-coach, greeting me with accustomed rondeau, “ Do make haste, do.” Threw up the sash and shouted “ Coach," in a voice that might have drawn one from the Pavement in Moorfields. Wife darted into vehicle in an access of terror, quite forgetting the shawl which she had given shopman for safe custody. Hasty adieus, and tea and toast in Bush-lane.

If nobody marries till Simon Swandown again attends the ceremony, Malthus will have no reason to grumble at excess of population.


Oh how hard it is to find
The one just suited to our mind;

And if that one should be
False, unkind, or found too late,
What can we do but sigh at fate,

And sing Woe's me-Woe's me!
Love's a boundless burning waste,
Where Bliss's stream we seldom taste,

And still more seldom flee
Suspense's thorns, Suspicion's stings;
Yet somehow Love a something brings
That's sweet-ev'n when we sigh Woe's me!'



call my religion unlawful and light?
No, believe me, the creed that I cherish,
Is that souls, which are sparks from the fountain of light,

With their perishing dust shall not perish.
For I cannot imagine my love quench'd in death,

Though the dross of our being should sever,
And the thought of thee rivets a chain on my faith,
That there is an hereafter for ever.


Character of Louis XI. 489.
Civic sports, No. I. 237—II. 563.
Cockney, definition of one, 173.
Comic Actors, the French, 341.
Conjugalism, 409-French plagiarism,

410—Machiavelism of match-making,
ib.—the author's code d'Hymen, 411
-advice respecting fortune-tellers,
&c. 411-on education, 412- the
marriage ceremonies of England, 413

-a fortune-hunter, 414.
Coxcombry, the Progress of, 527,
Cuckoo, invocation to the, 39.

Daughter of Meath, the, 353.
Day in London, 44.

at Fonthill Abbey, 368.
Destroying Angel, the, 11.
Dobbs (Mrs.), at home, 217.
Drawing, the pleasures of, 385—drawing

easily attainable, 386—advantages of
being able to draw, 388-pleasure felt
in being able to practise this art, 329
-landscape, 390_increase of a taste

for, 392.
Dublin, State of Parties in, 553.
Dulwich College, continued, 67.
Dunder O'Kelly (Sir), 122.

Early Recollections, 247.
Elegiac Stanzas, 519.
Emigrant, the, 552.
England and France, 141.
Exposition of the Louyre, 504.
External Appearance, 381,

Fain (Baron), his Memoirs of 1814,361.
Fellow Travellers, 481.
Fenelon, his character of Louis XI. in

his Dialogues of the Dead, 489.
First-born of Egypt, the, 346.
Five hundred a year, 207.
Fonthill Abbey, a day at, 368.

-, pictures at, 403.
Fortune-telling, 336.
French cornic Actors, 341.

Galleries of Art, No. VI. 67–VII. 162

-VIII. 265-IX. 403,
Gods of Greece, the, from Schiller, 50.
Good old Times, the, 428.
Greek Exile, ancient song of, 246.
Grimm's Ghost, 105, 355.




Account of an apparition at Starcross,

Actors and Theatricals, 32.

French Comic, 341-Brunet,
342, 343-Potier, 344.
Ada Reis, a tale, review of, 317.
Amateur Actor, the, 105.
Anglo-Gallic Song, 504.
Anna, lines to, 252.
Apparition, account of one at Starcross,

Application to Study, on, 533.
Argensola, stanzas from, to the evening

star, 434.
Art of singing Songs, the, 274.

of making a good Marriage, 409.
Artists, on the old age of, 210-Mr.

Nollekens, ib. anecdote of, and Mr.
Northcote, 211-Mr. Fuzeli, 214-

Mr. West, 215-Cosway, 216.
Ash Waddler, Bishop Blaise, the, 495.
Attic story, an, 132.
Autumnal leaves, 355,
Autumn, to the last leaf of, 439.

Babylon, 152.
Bar, Irish, sketches of, 1. 393.
Beggars extraordinary! proposals for the

suppression of, 61.
Béranger (De), account of, 305.
Bishop Blaise, the Ash Waddler, 495.
Bonaparte, Las Cases' Journal respecting,

289-anecdotes of Napoleon, 290,
291-sufferings, 291-his system of
interior policy, 292-the Empress Jo-
sephine and her milliner, 295--the

Duke d’Enghien, 297. See Napoleon.
Bond-street in September, 322.
Boon (Daniel), some account of, 519.
Botzari, Marco, the Greek chief, 441–

anecdotes of, 444-his person and ap-

pearance, 445.
Bourse at Paris

England and France
buying a bonnet, 141.
British Galleries of Art, No. VI. 67—

VII. 162-VIII. 265-IX. 403,
Buying a bonnet, 141.

Campbell (Thomas), “ The Last Man"

by, 272—Stanzas to the Memory of

Spanish Patriots, 480,
Carnival, Parisian, by T. Tryatall, 87.


2 Q

Harp of Zion, No. I. 445–II. 495.
Hayley, Memoirs of, reviewed, 147–

he becomes an author, 149—his dra-
matic works, ib.his lines to Miss
H. More, 150—his itch for writing

epitaphs, 151.
Hermit Abroad, review of, 446.
Hood (Lieutenant), lines on, 488.
Hunter of the Pyrenees, 562.
Huntsman, the wild, 60.

Marathon, the Sleeper on, 532.
Marco Botzari, account of, 441.
Memoirs of Hayley, 147.

of Napoleon, 181.
of a haunch of mutton, 219.

by Fain and Rapp, review of,
Mind and Body, 321.
Modern Pilgrimages, No. X. 112.
Moorish Bridal song, 224.
More (Miss Hannah), lines to, 150.
Museums of Seville, visit to the, 241.
Music, No. IV. 17-correctness of verbal

expression, ib.-terms, 20-imita-
tions of actions or motions, 21-
No. V. 124-on harmony, ib.-mu-
sical system of Rameau, 126—whether
harmony be a desirable resource to
music, 127—the fugue, 129_the

melodrama of Germany, 131.
Music, stanzas on,

Mystification—the white patient, 115.

Imagination, influence of, on health, 53.

on Writers of, 259.
Instincts of nature in Diseases, of the,

153—should be paid attention to, 155.
Invocation to the Cuckoo, 38.
Irving (Mr.), account of him, 193.
Island, the, review of, 136.

Napoleon's Memoirs, reviewed, 181.

dispositions, 362 - conduct
of the ancient nobles towards, 364-
his domestic affections, 365-his mili-
tary talent in 1814, 366. See Bona-

New Society of Literature, 97.

O'Connel (Mr.), sketch of his character,

Old Age of Artists, on the, 210.

- Times, the good, 428.

Journal of Simon Swandown, 237, 563.

Knowle Park, pictures at, 265.

Ladies v. Gentlemen, 203.
Lamartine, the French poet, 467.
Las Cases' Journal, review of, 289.
Last Leaf of Autuinn, lines to, 439.
Last Man, the, 272..
La Vauderie, 253.
Lausanne, account of, 112.
Lefroy (Serjeant), sketch of, 393.
Legacy Hunting, 513.
Letter on State of Parties in Dublin, 553.
Lines to Spain, 169.
Literary Society, first letter to the, 423

II. 542.
Literature, new Society of, 97.

and law, 347—strange de-
cisions respecting literary property, ib.
-evil of making a chancellor a judge
of literature, 349-vice-chancellor's
decision on Don Juan, 350-most
reasonable proceeding in such cases,

Londoners and Country people, 171.
Longchamps, fête of, 282.
Lord of Valladolid, the, 402.
Louis (St.), fête of, 457-rioting and
drunkenness of, ib.

XI. on the Character of, 489
Philip de Comines on, 489—Fenelon's
character of, ib. — Voltaire's, 490
Duclos and Dumesnil on, 490, 491–
his barbarism, 493— fear of his Physi-
cian, ib.-France indebted to him for

a general code of laws, 494,
Louvre, Exposition at the, 504.
Love, Being in, 77.
Lycanthropy, account of, 59.
Lyrics, London, 22. 122. 207. 415.

Parisian carnival, 87.
Parties in Dublin, state of, 553.
Patient, the white, 115.
Penshurst Castle and Sir P. Sidney, 546

-high character of Sir Phillip, 547----
fine situation of Penshurst, ib.-grant-
ed to the Sidneys by Edward VI.; de-
scription of the building, 549, 550-

birth and death of Sidney, 551, 552.
Peranzúles,a Spanish historical fragment,

Peregrinations of T. Tryatall, 87. 279.

Petrarch, sonnet from, 31.
Petworth, Lord Egremont's pictures át,

Philosophy of the Road, the, 435,
Physician, No. VIII. 53–IX. 153-X.

326–XI. 505.
Pictures in Dulwich Coilege, 67—Lord

Egremont's, 162.
Pleasures of Drawing, the, 385.
Pleiad, the lost, 526.

Poet, the, among the Trees, 335.
Poets, the living French, No. I. 305—

II. 467.
Poetry—the destroying angel, 11-time

and love, 22—surnames, ib.---sonnet
from Petrarch, 31-invocation to the
cuckoo, 38-the wild huntsman, 60
—Valkyriur song, 65—the retrospect,
104-an attic story, 132—sonnet from
Dell' Uva, 146-lines to Miss H.
More, 150-Babylon, 152-the trea-
sures of the deep, 160-the winds, 161
-lines to Spain, 169-the sword of the
tomb, 190—the trance of love, 203—
why do we love? 209—five hundred a
year, 207-Mrs. Dobbs at home, 217
-a Moorish bridal song, 224-to a
jasmine from Lelia's bosum, 237—
ancient song of a Greek exile, 246
- lines to Anna, 252 — the three
mighty, 258-song, silent glances, 264
-the last man, 272-the isle of
founts, 298—the infant, 316—mind
and body, 321-the poet among the
trees, 335—the sunless summer, 340
- the first-born of Egypt, 346–. The
daughter of Meath, 353-our lady's
well, 359-truth and young romance,
367-sonnet from Filicaja, 380—the
lord of Valladolid, 402-solitude, 408
—the watering-places, 415-address
to the stars, 422-stanzas, 427 -to the
evening-star, 434-to the last leaf of
autumn, 439 — the harp of Zion,
No. I. 445-song, ib.-why do we
love ? answer to, 458—the release of
Tasso, 464-lines of the Golfe de
Baya, 471-stanzas to the memory of
the Spanish patriots killed in resisting
the Regency, 480—lines on Lieutenant
Hood, 488—song of Deborah, 495%
Anglo-Gallic song, 504-stanzas, 512
-elegiac stanzas, 519--the lost Pleiad,
526—the sleeper on Marathon, 532-
Emigrant, the, 552 - the hunter of
of the Pyrenees, 562 — song, 5684

stanzas, ib.
Power of habit, on the, 326-rules re-

specting, 328-the safest habits, 329
-instances of, 330, 332, 333—the

senses influenced by, 334.
Progress of Coxcombry, 527.
Prospectus of a new work, 12.

Quentin Durward, review of, 82.


Rapp's Memoirs, review of, 360.
Reginald Dalton, review of, 459.
Release of Tasso, the, 464.
Retrospect, the, 104.
Rosière (La), fête of, 436.
Rouge et Noir, 23.

Saint Paul's, 449.
Schiller,translation of his Gods of Greece,

Select Society, with observations on the

modern art of match-making, 91.
Sidney (Sir P.), and Penshurst Castle,

Simon Swandown, journal of, 237.563.
Sitting for one's picture, 473.
Sketches of the Irish bar, No. VI. I-

VII. 393.
Sleepor on Marathon, the, 532.
Social and Savage Life, 519.
Society of Literature, the new, 97.

Royal Literary, first letter to the,
423-second, 542.
Soldier's, foreign, farewell to his English

mistress, 76,
Song-silent glances, 264.
Song, 445 — Anglo-Gallic, 504-song,

Songs, the art of singing, 274.
Sonnets, from Petrarch, 31-from Dell'

Uva, 146—from the Italian, 224-to
a jasmine from Lelia's bosom, 236—
the infant, 316-the sunless summer,

340—from Filicaja, 380.
Spain, lines to, 169.
Spanish patriots, stanzas to the memory

of, 480.
Stanzas, 427. 562.
Star, to the Evening, from Argensola,

Stars, address to the, 422.
State of Parties in Dublin, 553-account

of Luke Whyte, 553, 554-Billy
Murphy, 555—Sir Compton Dom-
ville, ib.-scene of a Dublin election,
556—the Beef-steak Club, 557—Lord
Manners' peculiarities and character,
558, 559—the Anti-Wellesley toast,
558-the Marquis dismisses certain
obnoxious Orangemen, ib.—Sir C.
Vernon, 560—the Lord Lieutenant
dines with the Beef-steak Club, 561–
the members of the faction drink the

insulting toast on his departare, 562.
Study, on application to, 533_instances

of different degrees of, ib.-mistake in
judging of men of genius respecting,
534, 535-advantage of decision in,
537-method of composition, 5384
rapidity of execution, ib.-evil of pro-

crastinating execution of labours, 541.
Surnames, 22.
Sword of the Tomb, the, 190,

Table Talk, No. VII. 171-VIII. 2104

IX. 473-X. 533.
Tasso, the release of, 464.
Three Mighty, the, 258.
Time and Love, 22.
Trance of Love, from the Italian, 203.

Treasures of the Deep, the, 160.
Truth and young Romance, 367.
Tryatall (Thomas), his account of the

Parisian carnival, 87_his peregrina-
tions, No. II. 273-III. 453.

Valkyriur song, 65.
Vauderie, account of, 253.
Vaurien (M.), his adventure with Try-

atall, 281.
Vieux Drapeau (Le), 311.
Village Bells, the, 40.
Vincennes, a walk to, 416—place of in-

terment of the victims of the guillo-
tine, 417-anecdote of an officer of
gendarmerie, 413-tortures of the
Princes d'Armagnac, 418-anecdote
of the great Condé, 419-of Abbé
Fresnoy, ib.Cardel's imprisonment,

420-an officer's dog, ib.
Visit to the Museums of Seville, 241.
Voltaire, his character of Louis XI. 490.

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Water, on the nature and dietetic use of,

505-never found pure, ib.—-opinions
of philosophers upon, 506—animal life
in, 507—its expansion in a state of
vapour, 508—method of detecting
adulterations of, 509-test of pure,
510.-different varieties of, 511--An-

cients took it hot, 512.
Wedding-day, 563.
What life to choose, 284,
Why do we love ? 209-answer to, 458.
Winchester, account of, 225-the palace

of Charles II. 226-the old round
table, ib.-Winchester college, 227–
Dulce domum, 229–St. Cross, 230,
231--the master's situation, a job, 233
-the cathedral, 235.
Winds, the, a dialogue, 161,
Writers of imagination, 259.

Yacht-club, the, 435.

Zion, Harp of, 445, 495.

Walk to Vincennes, 416.


P.381, line 36, for “rival Pairs" read rival Parr's."


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