Fior. Treason to wedlock! this would make you sweat. Fern. Lady, of all* * * what I am, as before, To survive you, or I will see you first I sign it with this seal. Fior. Ignoble strumpet! [Kisses her. Bian. You shall not swear; take off that oath again, Or thus I will enforce it. [Kisses him. Fern. Use that force, And make me perjured; for whilst your lips Are made the book, it is a sport to swear, Fior. Here's fast and loose! Which, for a ducat, now the game's on foot? Whilst they are kissing, the DUKE and D'AVOLOS, with their swords drawn, appear at the door. Col. (within.) Help, help! madam, you are betrayed, madam; help, help! Fern. Lady, of all, &c.] Here occurs one of the greatest lacunæ in all Ford's works. Some lines appear to be quite lost, and the fragments of others that remain cannot be distributed with any certainty. Even the concluding part of Fiormonda's speech should perhaps be transferred elsewhere. D'Av. Is there confidence in credit, now, sir? belief in your own eyes? do you see? do you see, sir? can you behold it without lightning? Col. (within.) Help, madam, help! Fern. What noise is that? I heard one cry. Duke. (comes forward.) Ha! did you? Know you who I am? Fern. Yes; thou art Pavy's duke, Drest like a hangman: see, I am unarm❜d, Yet do not fear thee; though the coward doubt Of what I could have done hath made thee steal The advantage of this time, yet, duke, I dare Thy worst, for murder sits upon thy cheeks: To't, man. Duke. I am too angry in my rage, To scourge thee unprovided; [Enter PETRUCHIO and NIBRASSA with a guard] take him hence: Away with him. Fern. Unhand me! D'Av. You must go, sir. [They seize FERN. Fern. Duke, do not shame thy manhood to lay hands On that most innocent lady." Duke. Yet again! Confine him to his chamber. [Exeunt D'Av. and the guard with FERN. "Our author seems to have very loose notions of female honour. He certainly goes much beyond his age, which was far enough from squeamish on this point, in terming Bianca innocent. She is, in fact, a gross and profligate adulteress, and her ridiculous reservations, while they mark her lubricity, only enhance her shame. Leave us all; None stay, not one, shut up the doors. [Exeunt PET. and NIB. Fior. Now show thyself my brother, brave Ca raffa. Duke. Woman, stand forth before me;-wretched whore, What canst thou hope for? Bian. Death; I wish no less. You told me you had dreamt; and, gentle duke, Unless you be mistook, you are now awaked. Duke. Strumpet, I am; and in my hand hold The edge that must uncut thy twist of life: Dost thou not shake? Bian. For what? to see a weak, Faint, trembling arm advance a leaden blade? Alas, good man! put up, put up; thine eyes Are likelier much to weep, than arms to strike; What would you do now, pray? Duke. What? shameless harlot! Rip up the cradle of thy cursed womb, up Yet come, and if thou think'st thou canst deserve Bian. I'll] tell you, if you needs would be resolv'd; I held Fernando much the properer man. Duke. Shameless, intolerable whore! Can you imagine, sir, the name of duke Could make a crooked leg, a scambling foot," A bloodless lip, or such an untrimm❜d beard I wonder you could think 'twere possible, When I had once but look'd on your Fernando, I ever could love you again; fie, fie! Now, by my life, I thought that long ago You'd known it; and been glad you had a friend Your wife did think so well of. Duke. O my stars! Here's impudence above all history. Why, thou detested reprobate in virtue, Dar'st thou, without a blush, before mine eyes, Speak such immodest language? Bian. Dare? yes, 'faith, You see I dare: I know what you would say now; • A scambling foot.] i. e. a sprawling, shuffling foot: wearish is used by our old writers for wizened, withered, decayed, &c. I have already remarked the similarity between this abandoned woman and Annabella: the same wantonness of abuse, the same audacious avowal of infamy, the same taunting provocation,—and all delivered in such a style of Pict-hatch eloquence, as the veriest waistcoater of Ford's days would have shrunk from— verbis olido stans Fornice mancipium quibus abstinet. But why? 'twas but because you thought I had Fior. Take this, take all. Duke. Excellent, excellent! the pangs of death Are music to this. Forgive me, my good Genius, I had thought I match'd a woman, but I find she is A devil, worser than the worst in hell. Nay, nay, since we are in, e'en come, say on; The fault was his, not your's; why, virtuous mistress, Can you imagine you have so much art Which may persuade me, you and your close markman Did not a little traffic in my right! Bian. Look, what I said, 'tis true; for, know it now: |