The Narratological Analysis of Lyric Poetry: Studies in English Poetry from the 16th to the 20th CenturyThis study offers a fresh approach to the theory and practice of poetry criticism from a narratological perspective. Arguing that lyric poems share basic constituents of narration with prose fiction, namely temporal sequentiality of events and verbal mediation, the authors propose the transgeneric application of narratology to the poetic genre with the aim of utilizing the sophisticated framework of narratological categories for a more precise and complex modeling of the poetic text. On this basis, the study provides a new impetus to the neglected field of poetic theory as well as to methodology. The practical value of such an approach is then demonstrated by detailed model analyses of canonical English poems from all major periods between the 16th and the 20th centuries. The comparative discussion of these analyses draws general conclusions about the specifics of narrative structures in lyric poetry in contrast to prose fiction. |
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Results 1-5 of 34
... stanza of Donne's ' The Good Morrow ' ) . 12 12 12 Cf. in particular Herman ( 2002 : 85-113 ) and Semino ( 1995 ) , and in general Barthes ( 1994 ) , Culler ( 1975 ) , and Eco ( 1979 ) . Cf. Greimas ( 1966 ) . Greimas's original ...
... stanzas that associate his poem with the rhyme - royal form used by Chaucer in the love epic Troilus and Criseyde . It is in his development of the basic material ( the lover and the idolized lady ) , however , that Wyatt breaks most ...
... stanza of this poem , however , in which the speaker once more at- tempts to explain the change in his situation , he portrays himself as the person who has been performed a service : ' But since that I so kindly am served [ ... ] ' ( 1 ...
... stanza demonstrates , the speaker also had a variety of love relationships . The fact that the speaker complains about losing not only a single woman but sev- eral women at once shows that the ironic tone of the final stanza is a re ...
... stanza . The erotic encounter is dis- tinctly set apart from the other meetings ( ' once in special ' , 1. 9 ) and is so clear and makes such an intense impression that it needs to be explicitly distinguished from a dream : ' It was no ...
Contents
1 | |
15 | |
23 | |
35 | |
45 | |
Verses on the Death of Dr Swift | 57 |
Elegy Written in a Country Churchyard | 79 |
Kubla Khan | 95 |
Promises like PieCrust | 139 |
The Voice | 147 |
Portrait of a Lady | 157 |
The Second Coming | 177 |
Man and Bat | 187 |
I Remember I Remember | 201 |
Ode to Suburbia | 213 |
Fiction | 223 |
Ode on Melancholy | 111 |
The Bishop Orders His Tomb at Saint Praxeds Church | 125 |
The Results of the Analyses and Their Implications for Narratology and the Theory and Analysis of Poetry | 233 |