The Dawn of Indian Music in the WestA little more than 50 years ago, in 1955, Ali AkbarKhan issued an LP called Music of India: Morning and Evening Ragas, with spoken introduction by violinist Yehudi Menuhin. Until then, Indian music was terra incognita in the West. When the same album was reissued as a CD in 1995, under the title Then and Now,it was nominated for a Grammy. In the last 50 years, there has been the explosive influence of Indian music and culture in the West. Words such as karma, yoga, raga, nirvana, all once unknown here, have entered the language. Most famously, the wonders of the Indian musical world were spread by George Harrison and the Beatles. The music also had a profound effect on Mickey Hart and the Grateful Dead, John McLaughlin (Mahavishnu Orchestra), the Byrds, John Coltrane, and many others. The annus mirabilis 1967 saw the Maharishi Mahesh Yogi spreading the wonders of transcendental meditation, Swami Prabhupada founding the International Society for Krishna Consciousness in New York City, and the growing influence of Ravi Shankar. Four years later, George Harrison organized the groundbreaking Concert for Bangladesh, the first charity event of rock. Shankar had already wowed audiences at the Monterey Pop Festival, and he achieved stardom at the Madison Square Garden event. (Where Westerners, new to the sounds they heard, applauded after the musicians had finished tuning their instruments!) Peter Lavezzoli, a Buddhist and a musician, has a rare ability to articulate the personal feeling of music, and at the same time narrate a history. Lavezzoli has interviewed more than a score of musicians, such as Ravi Shankar, Ali Akbar Khan, David Crosby, Philip Glass, Zakir Hussain, Mickey Hart, Zubin Mehta, and John McLaughlin. |
Contents
The Dawn of Indian Music in the West | 1 |
The Way of Raga | 17 |
Yehudi Menuhin Ravi Shankar and Ali Akbar Khan | 43 |
Ali Akbar Khan | 65 |
Mickey Hart | 80 |
Alla Rakha and Zakir Hussain | 101 |
Philip Glass | 124 |
David Crosby and Roger McGuinn | 147 |
The PostColtrane IndoJazz Movement | 296 |
John McLaughlin | 330 |
Bill Laswell | 340 |
Cheb i Sabbah | 356 |
Vilayat and Shujaat Khan | 373 |
The Ali Akbar College of Music | 388 |
Shubhendra Rao and Saskia Raode Haas | 399 |
Anoushka Shankar | 410 |
George Harrison | 171 |
Jim Keltner | 200 |
Tanmoy Bose | 206 |
Zubin Mehta | 220 |
Terry Riley | 237 |
John Coltrane and the Birth of IndoJazz | 267 |
Ravi Shankar | 417 |
An Afterword | 434 |
Glossary | 439 |
445 | |
Index of Names | 447 |
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Common terms and phrases
Akbar Khan alap album Ali Akbar Khan Alla Rakha Allauddin Khan Anoushka artists audience band bass Beatles beats became become began Bhairavi Bombay Byrds Calcutta Cherry Coltrane's composed composition concert Crosby Delhi dhrupad drone drum drummer duet father feel Festival film George Harrison gharana Glass guitar Gurtu guru hear heard Hindu improvisation Indian classical music Indian music Indian musicians instrument jazz musicians John Coltrane Karnatak Khan's Khansahib khyal Krishna Laswell listen live Maihar McGuinn McLaughlin Mehta melody Mickey Hart Muslim never notes opening orchestra percussion performance piano piece play Pran Nath raga Rakha Ravi Shankar Raviji record rhythm rhythmic cycle Riley rock Sabbah sarod saxophone Shakti singing sitar sitarist solo song sound spiritual strings style tabla player tala tamboura teaching things tour tradition Ustad Vilayat Khan violin vocal vocalist wanted West Western music world music Young Zakir Hussain Zubin