Something beautiful is vanished, and we sigh for it in vain; But it never comes again. STEDMAN, of New York, who wields an artistic pen, thus indites a song to the Summer Rain: Yestermorn the air was dry As the winds of Araby, While the sun, with pitiless heat, And the meadow fountains sealed, Till the people everywhere, and the cattle in the field, For at sunset, overhead, Sailing from the gorgeous West, Came the pioneers, abreast, Of a wondrous argosy Far along I saw them sail, Yellow, violet, crimson, blue, That the gates of heaven put on, In that hallowed Patmian isle, Their skyey pennons wore; and, while I drank the glory of the sight, Sunset faded into night. Then diverging far and wide, Silently and swiftly there, C. P. CRANCH, one of our American bards, thus philosophizes:— Thought is deeper than all speech, feeling deeper than all thought; Souls to souls can never teach what unto themselves was taught. We are spirits clad in veils; man by man was never seen; All our deep communing fails to remove the shadowy screen. Like the stars that gem the sky, far apart, though seeming near, The Ivy-Green of DICKENS is a gem of the purest water :— Oh! a dainty plant is the Ivy-green, that creepeth o'er ruins old' Of right choice food are his meals, I ween, in his cell so lone and cold. The walls must be crumbled, the stones decaved, to pleasure his dainty whim; And the mould'ring dust that years have made is a merry meal for him. Whole ages have fled, and their works decayed, and nations scat tered been, But the stout old Ivy shall never fade from its hale and hearty green. The brave old plant in its lonely days shall fatten upon the past, For the stateliest building man can raise is the Ivy's food at last. Creeping where no life is seen, A rare old plant is the Ivy-green. Many other beautiful episodes are scattered throughout the productions of the world-renowned author of the Pickwick Club, such, for example, as the description of Little Paul, in Dombey and Son. FREDERICK TENNYSON, brother of the gifted Laureate, thus pays beautiful tribute to Women and Children : : Oh! if no faces were beheld on earth Or through the dark of the o'erhanging cloud But little children take us by the hand, And gaze with trustful cheer into our eyes; In woman's shape, and waft to heaven our sighs. ALLINGHAM, one of the living poets of Ireland, thus chants to us a moral: Rushes sadly bending, river slowly wending? Draw him tideward down; but not in haste, Mouldering daylight lingers; night with her cold fingers Ever, ever fled away! Vainly cherished, vainly chased. Now Autumn's fire burns slowly along the woods, And day by day the dead leaves fall and melt, And night by night the monitory blast Wails in the key-hole, telling how it passed O'er empty fields, or upland solitudes, Or grim wide wave; and now the power is felt Than any joy indulgent Summer dealt. It may Poor Earth, where we were wont to live and grieve. What a touching cabinet picture is here presented to us by W. WINTER, of New York: The apples are ripe in the orchard, the work of the reaper is done, And the golden woodlands redden in the blood of the dying sun. At the cottage-door the grandsire sits, pale, in his easy chair, Of the flying blast of the trumpet, and the rattling roll of the drum. And a pallid, tearless woman by the cold hearth sits alone, Listen to this heroic Dirge, by G. H. BOKER, of Philadelphia :— Close his eyes, his work is done! Rise of moon, or set of sun, Hand of man, or kiss of woman? In the clover or the snow! What cares he? he cannot know: As man may, he fought his fight, Proved his truth by his endeavour; Let him sleep in solemn night, Sleep forever and forever. Lay him low, lay him low, In the clover or the snow! What cares he? he cannot know: |