Soon Rupert, 'twixt his bride and him, A death-cold carcase found; He saw it not, but thought he felt He started up, and then return'd, But found the phantom still; In vain he shrunk, it clipp'd him round, With damp and deadly chill! And when he bent, the earthy lips A kiss of horror gave; "T was like the smell from charnel vaults, Or from the mouldering grave! Ill-fated Rupert, wild and loud Thou criedst to thy wife, Oh! save me from this horrid fiend, But Isabel had nothing seen, She look'd around in vain; And much she mourn'd the mad conceit That rack'd her Rupert's brain. At length from this invisible These words to Rupert came: (Oh God! while he did hear the words, And all the night the demon lay And strain'd him with such deadly grasp, But when the dawn of day was near, And left the affrighted youth to weep All, all that day a gloomy cloud Fair Isabel was likewise sad, But strove to cheer her spouse. And, as the day advanced, he thought At length the second night arrived, Again their couch they press'd; Poor Rupert hoped that all was o'er, And look'd for love and rest. But oh! when midnight came, again . Husband! husband! I've the ring, In agony of wild despair, He started from the bed; And thus to his bewilder'd wife The trembling Rupert said: Oh Isabel! dost thou not see A shape of horrors here, That strains me to the deadly kiss, And keeps me from my dear? No, no, my love! my Rupert, I This night, just like the night before, Nor did the demon vanish thence Says Rupert then, « My Isabel, Now Austin was a reverend man, To Father Austin's holy cave Then Rupert went full straight, And told him all, and ask'd him how To remedy his fate. The father heard the youth, and then Retired awhile to pray; And, having pray'd for half an hour, Return'd, and thus did say: There is a place where four roads meet, Be there this eve, at fall of night, Thou 'It see a group of figures pass In strange disorder'd crowd, Trav'ling by torch-light through the roads, With noises strange and loud. And one that's high above the rest, Terrific towering o'er, Will make thee know him at a glance, To him from me these tablets give, Thou need'st not fear, but give them straight, The night-fall came, and Rupert all To where the cross-roads met, and he And lo! a group of figures came And as the gloomy train advanced, Rupert beheld from far A female form of wanton mien Seated upon a car. And Rupert, as he gazed upon The loosely-vested dame, Thought of the marble statue's look, For hers was just the same. Behind her walk'd a hideous form, With eye-balls flashing death; Whene'er he breathed, a sulphur'd smoke Came burning in his breath! He seem'd the first of all the crowd Yes, yes," said Rupert, this is he, Then slow he went, and to this fiend And when he saw the blood-scrawl'd name, I thought, cries he, his time was out, But he must soon be mine!> Then darting at the youth a look, Which rent his soul with fear, He went unto the female fiend, And whisper'd in her ear. The female fiend no sooner heard, Than, with reluctant look, The very ring that Rupert lost She from her finger took; And, giving it unto the youth, With eyes that breathed of hell, She said in that tremendous voice Which he remember'd well: . In Austin's name take back the ring, He took the ring, the rabble pass'd, His wife was then the happiest fair, SONG. ON THE BIRTH-DAY OF MRS Or all my happiest hours of joy, When hearts were full and every eye Such hours as this I ne'er was given, So dear to friendship, dear to blisses; Young Love himself looks down from heaven, To smile on such a day as this is! Ask the proud train who glory's shade pursue, Where are the arts by which that glory grew? The genuine virtues that with eagle-gaze Sought young Renown in all her orient blaze? Where is the heart by chymic truth refined, The exploring soul, whose eye had read mankind? Where are the links that twined with heavenly art, His country's interest round the patriot's heart? Where is the tongue that scatter'd words of fire? The spirit breathing through the poet's lyre? Do these descend with all that tide of fame Which vainly waters an unfruitful name? SONG. WHY does azure deck the sky! "T is to be like thy looks of blue; Why is red the rose's dye? Because it is thy blushes' hue. All that's fair, by Love's decree, Has been made resembling thee! Why is falling snow so white, But to be like thy bosom fair? Why are solar beams so bright? That they may seem thy golden hair! Why are Nature's beauties felt? Oh! because it speaks like thee. MORALITY. A FAMILIAR EPISTLE. ADDRESSED TO J. AT-NS-N, ESQ. M. R. I. A.' THOUGH long at school and college, dozing I must confess, my searches past, I only learn'd to doubt at last. I find the doctors and the sages Have differ'd in all climes and ages, The gentleman to whom this poem is addressed is the author of some esteemed works, and was Mr Little's most particular friend. I have heard Mr Little very frequently speak of him as one in whom I believe these words were adapted by Mr Little to the pathetic the elements were so mixed, that neither in his head nor heart Scotch air Galla Water.-E. had nature left any deficiency.-E. And two in fifty scarce agree "T is like the rainbow's shifting zone, And every Ivision makes its own. The doctors of the Porch advise, Reason alone must claim direction, And Apathy 's the soul's perfection. Like a dull lake the heart must lie; Nor passion 's gale nor pleasure 's sigh, Though heaven the breeze, the breath supplied, Must curl the wave or swell the tide!» Such was the rigid Zeno's plan Such were the modes he taught mankind Now listen to the wily strains, When Pleasure, nymph with loosen'd zone, Pleasure's the only noble end To which all human powers should tend; Is this morality?-Oh, no! E'en I a wiser path could show. But thus it is, all sects, we see, Nor could he act a purer part, Oh! when I've seen the morning beam The Loves of the Angels. PREFACE. THIS Poem, somewhat different in form, and much more limited in extent, was originally designed as an episode for a work about which I have been, at intervals, employed during the last two years. Some months since, however, I found that my friend Lord Byron had, by an accidental coincidence, chosen the same subject for a drama; and as I could not but feel the disadvantage of coming after so formidable a rival, I thought it best to publish my humble sketch immediately, with such alterations and additions as I had time to make, and thus, by an earlier appearance in the literary horizon, give myself a chance of what astronomers call an Heliacal rising, before the luminary, in whose light I was to be lost, should appear. As objections may be made, by persons whose opinions I respect, to the selection of a subject of this nature from the Scripture, I think it right to remark that, in point of fact, the subject is not scriptural-the notion upon which it is founded (that of the love of angels for women) having originated in an erroneous translation by the LXX, of that verse in the sixth chapter of Genesis, upon which the sole authority for the fable rests.' The foundation of my story, therefore, has as little to do with Holy Writ as have the dreams of the later Platonists, or the reveries of the Jewish divines; and, in appropriating the notion thus to the uses of poetry, I have done no more than establish it in that region of fiction, to which the opinions of the most rational Fathers, and of all other Christian theologians, have long ago consigned it. In addition to the fitness of the subject for poetry, it struck me also as capable of affording an allegorical medium, through which might be shadowed out (as I have endeavoured to do in the following stories), the fall of the soul from its original purity-the loss of light and happiness which it suffers, in the pursuit of this world's perishable pleasures-and the punishments, both from conscience and divine justice, with which impurity, pride, and presumptuous inquiry into the awful secrets of God, are sure to be visited. The beautiful story of Cupid and Psyche owes its chief charm to this sort of veiled meaning, and it has been my wish (however I may have failed in the attempt) to communicate the same moral interest to the following pages. THE LOVES OF THE ANGELS. 'Twas when the world was in its prime, When the fresh stars had just begun Their race of glory, and young Time Told his first birth-days by the sun; 1 See Note. When, in the light of Nature's dawn Gazing upon this world below. Even then, that morning of the earth! That, sadder still, the fatal stain Should fall on hearts of heavenly birthAnd oh, that stain so dark should fall From woman's love, most sad of all! One evening, in that time of bloom, Three noble youths conversing lay; To the far sky, where Day-light furl'd His radiant wing, their brows sublime Bespoke them of that distant worldCreatures of light, such as still play, Like motes in sunshine, round the Lord, And through their infinite array Transmit each moment, night and day, The echo of his luminous word! Of heaven they spoke, and, still more oft, And balmy evening's influence- Each told the story of his love, The First who spoke was one, with look The prints of earth most yieldingly; Who, even in heaven, was not of those Nearest the throne, but held a place, Far off, among those shining rows That circle out through endless space, And o'er whose wings the light from Him In the great centre falls most dim. Still fair and glorious, he but shone |