Zopf und Schwert, Lustspiel, with intr., notes, by H.J. Wolstenholme |
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Page vi
... play , so as to be able to read it aloud in the original , with expression and appreciation , has greatly lightened his labour in the subsequent study of classical works , and has at the same time made the best possible preparation for ...
... play , so as to be able to read it aloud in the original , with expression and appreciation , has greatly lightened his labour in the subsequent study of classical works , and has at the same time made the best possible preparation for ...
Page vii
... play as large a store as possible of the knowledge from which he must draw in writing and speaking German . I have therefore taken consider- able pains in the collection and classification of parallel passages , with numerous references ...
... play as large a store as possible of the knowledge from which he must draw in writing and speaking German . I have therefore taken consider- able pains in the collection and classification of parallel passages , with numerous references ...
Page xi
... plays and novels , by which he is most widely and popularly known . Notwithstanding a vein of reflective sentiment , they show in general more of critical observation , of the reformer's ... play - writer and as a novelist INTRODUCTION . xi.
... plays and novels , by which he is most widely and popularly known . Notwithstanding a vein of reflective sentiment , they show in general more of critical observation , of the reformer's ... play - writer and as a novelist INTRODUCTION . xi.
Page xii
... play was for a time prohibited , are used with some skill to suggest the groundwork of a comedy of similar aim and ten- dency . Der Königsleutenant ( 1849 ) is founded on an episode in the youth of Goethe , the scene being laid in ...
... play was for a time prohibited , are used with some skill to suggest the groundwork of a comedy of similar aim and ten- dency . Der Königsleutenant ( 1849 ) is founded on an episode in the youth of Goethe , the scene being laid in ...
Page xiv
... play chiefly melodramatic ( i.e. one the strength of which lies in broad effects , telling points and situations ) must necessarily fall below a genuine character - drama . Zopf und Schwert owes much to its happily chosen subject ...
... play chiefly melodramatic ( i.e. one the strength of which lies in broad effects , telling points and situations ) must necessarily fall below a genuine character - drama . Zopf und Schwert owes much to its happily chosen subject ...
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