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Sicut aquæ tremulum labris ubi lumen ahenis
Sole repercussum, aut radiantis imagine lunæ,
Omnia pervolitat laté loca, jamque sub auras
Erigitur, summique ferit laquearia tecti. VIRG. ÆN. VIII.

So water trembling in a polished vase

Reflects the beam that plays upon its face,

The sportive light, uncertain where it falls,

Now strikes the roof, now flashes on the walls.

Nous sommes nés pour la vérité, et nous ne pouvons souffrir son abord. les figures, les paraboles, les emblémes, sont toujours des ornements nécessaires pour qu'elle puisse s'annoncer, et soit qu'on craigne qu'elle ne découvre trop brusquement le défaut qu'on voudroit cacher, ou qu'enfin elle n'instruise avec trop peu de ménagement, on veut, en la recevant, qu'elle soit déguisée.

CARACCIOLI.

LONDON:

Printed for J. JOHNSON, No. 72, St. Paul's Church Yard.

1782.

[Copy of title-page of Cowper's first Volume of Poems.]

PREFACE, BY THE REV. JOHN NEWTON

WHEN an author, by appearing in print, requests an audience of the public, and is upon the point of speaking for himself, whoever presumes to step before him with a Preface, and to say, "Nay, but hear me first!" should have something worthy of attention to offer, or he will be justly deemed officious and impertinent. The judicious reader has, probably, upon other occasions, been beforehand with me in this reflection: and I am not very willing it should now be applied to me, however I may seem to expose myself to the danger of it. But the thought of having my own name perpetuated in connection with the name in the title-page is so pleasing and flattering to the feelings of my heart, that I am content to risk something for the gratification.

This Preface is not designed to commend the Poems to which it is prefixed. My testimony would be insufficient for those who are not qualified to judge properly for themselves, and unnecessary to those who are. Besides, the reasons which render it improper and unseemly for a man to celebrate his own performances, or those of his nearest relatives, will have some influence in suppressing much of what he might otherwise wish to say in favour of a friend, when that friend is indeed an alter idem, and excites almost the same emotions of sensibility and affection as he feels for himself.

It is very probable these Poems may come into the hands of some persons, in whom the sight of the author's name will awaken a recollection of incidents and scenes, which through length of time they had almost forgotten. They will be reminded of one, who was once the companion of their chosen hours, and who set out with them in early life in the paths which lead to literary honours, to influence and affluence, with equal prospects of success. But he was suddenly and powerfully withdrawn from those pursuits, and he left them without regret; yet not till he had sufficient opportunity of counting the cost, and of knowing the value of what he gave up. If happiness could have been found in classical attainments, in an elegant taste, in the exertions of wit, fancy, and genius, and in the esteem and converse of such persons as in these respects were most congenial with himself, he would have been happy. But he was not. -He wondered (as thousands in a similar situation still do) that he

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