A LIKENESS. [Extract.] ROBERT BROWNING. OME people hang portraits up In a room where they dine or sup, And her cousin, he stirs his cup, "'Tis a daub John bought at a sale," Quoth the wife,-looks black as thunder: "What a shade beneath her nose! Snuff-taking I suppose," Adds the cousin, while John's corns ail. A LIKENESS. 61 Or else, there's no wife in the case, Of youth,-masks, gloves, and foils, And pipe-sticks, rose, cherry-tree, jasmine, And the cast from a fist-("Not, alas! mine, But my master's, the Tipton Slasher,”) And a satin shoe used for cigar-case, And the chamois-horns—(“Shot in the Chablais,”) And prints,—Rarey drumming on Cruiser, And Sayers, our champion, the bruiser, And the little edition of Rabelais : Where a friend, with both hands in his pockets, May saunter up close to examine it, And remark a good deal of Jane Lamb in it, But the eyes are half out of their sockets; 62 A LIKENESS. All that I own is a print, An etching, a mezzotint; 'Tis a study, a fancy, a fiction, Yet a fact (take my conviction, Saw elsewhere touch or trace of, SONG. ROBERT BROWNING. AY, but I. you, who do not love her, Is she not pure gold, my mistress? Holds earth aught-speak truth-above her? Aught like this tress, see, and this tress, And this last fairest tress of all, So fair, see, ere I let it fall! II. Because, you spend your lives in praising; To praise, you search the wide world over; So, why not witness, calmly gazing, If earth holds aught-speak truth-above her? Above this tress, and this I touch But cannot praise, I love so much! YOUTH AND ART. [Extract.] ROBERT BROWNING. T once might have been, once only: You, a sparrow on the housetop lonely, I, a lone she-bird of his feather. Your trade was with sticks and clay; You thumbed, thrust, patted and polished, Then laughed, "They will see some day Smith made, and Gibson demolished!" My business was song, song, song; I chirped, cheeped, trilled, and twittered, "Kate Brown's on the boards ere long, And Grisi's existence embittered!" |