The Legacy of Katharine Hepburn: Fine Art as a Way of Life: A Memoir
THE LEGACY OF KATHARINE HEPBURN: Fine Art as a Way of Life Maryann Pasda DiEdwardo Memoir The legacy of the late Katharine Hepburn undeniably benefits a twenty-first century audience, because Kate identifies the artistic spirit. As one of the most important women of the twentieth century, Hepburn was an artist who exemplified the independent character, freedom and opportunity available to women as paramount whether she was on stage or in film. As the late Hepburn, she has become a living art spirit with a legacy that acts as a shining example. |
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Page xviii
... the role with similar acting techniques, they interpreted Rosalind differently; (4) Edith Evans gave the most successful performance of Rosalind. Abstract Prologue I welcome the reader to a performance of twenty xviii Abstract.
... the role with similar acting techniques, they interpreted Rosalind differently; (4) Edith Evans gave the most successful performance of Rosalind. Abstract Prologue I welcome the reader to a performance of twenty xviii Abstract.
Page xxi
... success for her own career but not a success in the comparison to other actresses of the time who played the part. From Chapter Two Original Thesis: Katharine Hepburn's one-sided portrayal was a result of her own personal interpretation ...
... success for her own career but not a success in the comparison to other actresses of the time who played the part. From Chapter Two Original Thesis: Katharine Hepburn's one-sided portrayal was a result of her own personal interpretation ...
Page xxii
... success. The director, actress and crew did not work together as one unit. Although Miss Hepburn involved herself in every aspect of the production, her assistance was not sufficient to unify the efforts of the cast and crew. An ...
... success. The director, actress and crew did not work together as one unit. Although Miss Hepburn involved herself in every aspect of the production, her assistance was not sufficient to unify the efforts of the cast and crew. An ...
Page xxxi
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Page xxxiv
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Contents
CHAPTER ONE | 1 |
CHAPTER TWO | 18 |
CHAPTER THREE Conclusions | 28 |
Edith Evans Performances in 1926 with Old Vic | 58 |
List of Performing Arts Research Libraries | 65 |
Other editions - View all
The Legacy of Katharine Hepburn: Fine Art As a Way of Life: a Memoir Maryann Pasda Diedwardo No preview available - 2006 |
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Academy Award acting actors actress allow American appeared Arden artist audience Available become best actress career cast Center Chapter character Church classroom College comedy Company costumes create Critics cultural curriculum Date Decade developed direction director drama Edith Evans educational effort England English fact film fine art follow Forest human important interpretation January journal Katharine Hepburn legacy Library lighting lives London method Michael Miss Evans Miss Hepburn nature nomination offers Old Vic Online opening original Orlando Oscar paradigm performance play played Rosalind portrayal portrayed preparation present production reader Review role romantic Rosalind scene scenery Shakespeare spirit stage history star style success suggest Teaching technical Theatre Theatre Arts theatrical theory thesis transformed twentieth century Vanessa Redgrave voice woman women writing York
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Page xx - Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard, Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modem instances; And so he plays his part.