In the Posture of a Whore: Changing Attitudes to 'bad' Women in Elizabethan and Jacobean Drama, Volume 2 |
From inside the book
Results 1-3 of 16
Page 183
... Fletcher exploits " Amazonian " traits to illustrate women's unnatural cruelty . Rosella's " more than tyranny " forbids the women on the island with her the " sight and use of men . When they discover a group 4 5 , 5 In Alphonsus ...
... Fletcher exploits " Amazonian " traits to illustrate women's unnatural cruelty . Rosella's " more than tyranny " forbids the women on the island with her the " sight and use of men . When they discover a group 4 5 , 5 In Alphonsus ...
Page 305
... it , 63 64 Caesar's Revenge , ed . W. W. Greg ( MSR 1911 ) , p . 523 . Fletcher and Massinger , The False One , ed . Waller , Vol . III , I.2.p.315 . Ptolemy's plotting , make Cleopatra's blatant exploitation of sexuality seem 305.
... it , 63 64 Caesar's Revenge , ed . W. W. Greg ( MSR 1911 ) , p . 523 . Fletcher and Massinger , The False One , ed . Waller , Vol . III , I.2.p.315 . Ptolemy's plotting , make Cleopatra's blatant exploitation of sexuality seem 305.
Page 351
... Fletcher ( and collaborators ) . The Works of Francis Beaumont and John Fletcher . Ed . A. Glover and A. R. Waller . 10 vols . Cambridge , 1905-1912 . ( Cited as " Waller " ) The Dramatic Works in the Beaumont and Fletcher Canon . Ed ...
... Fletcher ( and collaborators ) . The Works of Francis Beaumont and John Fletcher . Ed . A. Glover and A. R. Waller . 10 vols . Cambridge , 1905-1912 . ( Cited as " Waller " ) The Dramatic Works in the Beaumont and Fletcher Canon . Ed ...
Common terms and phrases
action Amazon ambiguity Antony appears associated attitude beauty becomes Bowers Caesar called Cambridge cause characters Christian claim Cleopatra comedy comic concerned condemned considered conventional created Cressida dangerous death defined depicted desire drama effect Elizabeth Elizabethan emphasises encouraged England English evil female final Fletcher George Helen helps Henry Heywood honour husband idea imagination important individual instance John kill kind King Lady Macbeth less lover lust Macbeth male marriage Mary merely Middleton moral murder nature Noble Oxford Paris partly pattern perhaps play political potentially presented provides punished Queen relation remains Renaissance represented revenge Robert role Roman rprt rule satiric scene seems seen sense sexual Shakespeare shows Sisters social society stage Studies suggests Thomas tradition Tragedy translated Troilus Troy ultimately virtuous Waller whore wife witchcraft witches woman women York