In the Posture of a Whore: Changing Attitudes to 'bad' Women in Elizabethan and Jacobean Drama, Volume 2 |
From inside the book
Results 1-3 of 31
Page 282
... Renaissance writers ceaselessly debate whether or not merely mortal beauty was worth such destruction . It is ... Renaissance ( 1958 ; rev . ed . 1967 ) , passim . Spenser , Fairy Queen , IIII , X.44 . Compare the opening of Lucretius ...
... Renaissance writers ceaselessly debate whether or not merely mortal beauty was worth such destruction . It is ... Renaissance ( 1958 ; rev . ed . 1967 ) , passim . Spenser , Fairy Queen , IIII , X.44 . Compare the opening of Lucretius ...
Page 377
... Renaissance and Modern Essays . 1966 . Bush , Douglas . Mythology and the Renaissance Tradition in English Poetry . 1932 ; New York , 1957 . Byrne , M. St. Clare ( reviewer ) . 1959 , " ShQ XI ( 1960 ) , 189-206 . " King Lear at ...
... Renaissance and Modern Essays . 1966 . Bush , Douglas . Mythology and the Renaissance Tradition in English Poetry . 1932 ; New York , 1957 . Byrne , M. St. Clare ( reviewer ) . 1959 , " ShQ XI ( 1960 ) , 189-206 . " King Lear at ...
Page 380
... Renaissance Drama . 1965 . Jorgensen , Paul . Our Naked Frailties : Sensational Art and Meaning in Macbeth . Berkeley & L. A. , 1971 . Jump , John , ed . Marlowe , Doctor Faustus . 1962 . Kahn , Coppélia . " The Taming of the Shrew ...
... Renaissance Drama . 1965 . Jorgensen , Paul . Our Naked Frailties : Sensational Art and Meaning in Macbeth . Berkeley & L. A. , 1971 . Jump , John , ed . Marlowe , Doctor Faustus . 1962 . Kahn , Coppélia . " The Taming of the Shrew ...
Common terms and phrases
action Amazon ambiguity Antony appears associated attitude beauty becomes Bowers Caesar called Cambridge cause characters Christian claim Cleopatra comedy comic concerned condemned considered conventional created Cressida dangerous death defined depicted desire drama effect Elizabeth Elizabethan emphasises encouraged England English evil female final Fletcher George Helen helps Henry Heywood honour husband idea imagination important individual instance John kill kind King Lady Macbeth less lover lust Macbeth male marriage Mary merely Middleton moral murder nature Noble Oxford Paris partly pattern perhaps play political potentially presented provides punished Queen relation remains Renaissance represented revenge Robert role Roman rprt rule satiric scene seems seen sense sexual Shakespeare shows Sisters social society stage Studies suggests Thomas tradition Tragedy translated Troilus Troy ultimately virtuous Waller whore wife witchcraft witches woman women York