In the Posture of a Whore: Changing Attitudes to 'bad' Women in Elizabethan and Jacobean Drama, Volume 2 |
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Page 202
... imaginative . Coleridge thought that the Sisters represented the " imaginative disconnected from the good " : 51 this is an acute observation the imagination , uncontrolled by rational conscience was considered to be 52 dangerous , anti ...
... imaginative . Coleridge thought that the Sisters represented the " imaginative disconnected from the good " : 51 this is an acute observation the imagination , uncontrolled by rational conscience was considered to be 52 dangerous , anti ...
Page 258
... imagination dangerous unless ruled by rational conscience ( see p . 202 above ) . The first character to enter alone she is , in soliloquizing with the letter , isolated , only minimally affected by external agents . ( Macbeth needs ...
... imagination dangerous unless ruled by rational conscience ( see p . 202 above ) . The first character to enter alone she is , in soliloquizing with the letter , isolated , only minimally affected by external agents . ( Macbeth needs ...
Page 330
... imagination , have no existence in fact . ( A Room of One's Own , Chapter 3 -Virginia Woolf ) I have been concerned , in this study , almost exclusively with women " in the fiction written by men , " more precisely , with women in the ...
... imagination , have no existence in fact . ( A Room of One's Own , Chapter 3 -Virginia Woolf ) I have been concerned , in this study , almost exclusively with women " in the fiction written by men , " more precisely , with women in the ...
Common terms and phrases
action Amazon ambiguity Antony appears associated attitude beauty becomes Bowers Caesar called Cambridge cause characters Christian claim Cleopatra comedy comic concerned condemned considered conventional created Cressida dangerous death defined depicted desire drama effect Elizabeth Elizabethan emphasises encouraged England English evil female final Fletcher George Helen helps Henry Heywood honour husband idea imagination important individual instance John kill kind King Lady Macbeth less lover lust Macbeth male marriage Mary merely Middleton moral murder nature Noble Oxford Paris partly pattern perhaps play political potentially presented provides punished Queen relation remains Renaissance represented revenge Robert role Roman rprt rule satiric scene seems seen sense sexual Shakespeare shows Sisters social society stage Studies suggests Thomas tradition Tragedy translated Troilus Troy ultimately virtuous Waller whore wife witchcraft witches woman women York