In the Posture of a Whore: Changing Attitudes to 'bad' Women in Elizabethan and Jacobean Drama, Volume 2 |
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Page 345
... middle - class ideals of domestic stability , harmony , thrift and prudence , reflects , too , the 20 21 The Historye of Aurelio and of Isabel , Daughter of the Kinge of Schotlande ... , written by Jean de Flores ( trans . 1556 ) . See ...
... middle - class ideals of domestic stability , harmony , thrift and prudence , reflects , too , the 20 21 The Historye of Aurelio and of Isabel , Daughter of the Kinge of Schotlande ... , written by Jean de Flores ( trans . 1556 ) . See ...
Page 346
... middle - class concept of " the ideal woman . " Dusinberre sees Humanist and Protestant ideas about chastity and spiritual equality , together with bourgeois needs for matrimonial equi- librium , as basic to what she defines as the ...
... middle - class concept of " the ideal woman . " Dusinberre sees Humanist and Protestant ideas about chastity and spiritual equality , together with bourgeois needs for matrimonial equi- librium , as basic to what she defines as the ...
Page 348
... middle - class woman , but of course we need to be concerned with women of every class . Much of that information will , inevitably , continue to be pieced together from the drama written by men of the period , though increasingly we ...
... middle - class woman , but of course we need to be concerned with women of every class . Much of that information will , inevitably , continue to be pieced together from the drama written by men of the period , though increasingly we ...
Common terms and phrases
action Amazon ambiguity Antony appears associated attitude beauty becomes Bowers Caesar called Cambridge cause characters Christian claim Cleopatra comedy comic concerned condemned considered conventional created Cressida dangerous death defined depicted desire drama effect Elizabeth Elizabethan emphasises encouraged England English evil female final Fletcher George Helen helps Henry Heywood honour husband idea imagination important individual instance John kill kind King Lady Macbeth less lover lust Macbeth male marriage Mary merely Middleton moral murder nature Noble Oxford Paris partly pattern perhaps play political potentially presented provides punished Queen relation remains Renaissance represented revenge Robert role Roman rprt rule satiric scene seems seen sense sexual Shakespeare shows Sisters social society stage Studies suggests Thomas tradition Tragedy translated Troilus Troy ultimately virtuous Waller whore wife witchcraft witches woman women York