In the Posture of a Whore: Changing Attitudes to 'bad' Women in Elizabethan and Jacobean Drama, Volume 2 |
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Page 319
... perhaps feasible to discern even in these comic images the idea embodied in the Phoenix and the 179 Turtle , " Co - supremes and stars of love . " Omphale's subjection of Hercules was , even in the myth as we have it , necessary to ...
... perhaps feasible to discern even in these comic images the idea embodied in the Phoenix and the 179 Turtle , " Co - supremes and stars of love . " Omphale's subjection of Hercules was , even in the myth as we have it , necessary to ...
Page 342
... perhaps one reason for her being outstanding among Shakespeare's bad women . Even Lady Macbeth can be seen , ultimately , as merely Macbeth's wife ; more than this is , of course , hinted at with , perhaps , the help of the Three Weird ...
... perhaps one reason for her being outstanding among Shakespeare's bad women . Even Lady Macbeth can be seen , ultimately , as merely Macbeth's wife ; more than this is , of course , hinted at with , perhaps , the help of the Three Weird ...
Page 343
... perhaps not surprising that Shakespeare in his late plays created Imogen , perhaps the most " perfect " wife of all , and created , too , magical daughters whose influence on their fathers seems to result for Shakespeare , in ...
... perhaps not surprising that Shakespeare in his late plays created Imogen , perhaps the most " perfect " wife of all , and created , too , magical daughters whose influence on their fathers seems to result for Shakespeare , in ...
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action Amazon ambiguity Antony appears associated attitude beauty becomes Bowers Caesar called Cambridge cause characters Christian claim Cleopatra comedy comic concerned condemned considered conventional created Cressida dangerous death defined depicted desire drama effect Elizabeth Elizabethan emphasises encouraged England English evil female final Fletcher George Helen helps Henry Heywood honour husband idea imagination important individual instance John kill kind King Lady Macbeth less lover lust Macbeth male marriage Mary merely Middleton moral murder nature Noble Oxford Paris partly pattern perhaps play political potentially presented provides punished Queen relation remains Renaissance represented revenge Robert role Roman rprt rule satiric scene seems seen sense sexual Shakespeare shows Sisters social society stage Studies suggests Thomas tradition Tragedy translated Troilus Troy ultimately virtuous Waller whore wife witchcraft witches woman women York