In the Posture of a Whore: Changing Attitudes to 'bad' Women in Elizabethan and Jacobean Drama, Volume 2 |
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Page 213
... remains a role rather than a character . 10 Through Hieronimo's play , Belimperia's revenge becomes , perhaps , righteous but ultimately relatively unimportant . Soliman and Perseda ( 1590 ) women's revenge seems potentially more ...
... remains a role rather than a character . 10 Through Hieronimo's play , Belimperia's revenge becomes , perhaps , righteous but ultimately relatively unimportant . Soliman and Perseda ( 1590 ) women's revenge seems potentially more ...
Page 260
... remains " noble to herself . " In a Christian context , redolent of ideas of altruism ( nobility for others ) this makes her " less than woman . " Seen from outside the Christian order she is heroic ; seen from within it she must be ...
... remains " noble to herself . " In a Christian context , redolent of ideas of altruism ( nobility for others ) this makes her " less than woman . " Seen from outside the Christian order she is heroic ; seen from within it she must be ...
Page 305
... remains a symbolic character around whom other characters move ; dangerous , defined verbally as she is externally , wholly passive - truly a second Helen . As captive princess in The False One ( King's Men , 1620 ) , Cleopatra ...
... remains a symbolic character around whom other characters move ; dangerous , defined verbally as she is externally , wholly passive - truly a second Helen . As captive princess in The False One ( King's Men , 1620 ) , Cleopatra ...
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action Amazon Amazonian ambiguity Antony and Cleopatra Antony's associated attitude bawd beauty becomes Bowers Bullen Caesar Cambridge characterisation characters Christian Clytemnestra comedy comic condemned courtly Cressida death depicted disorder drama dramatists Edwards and Gibson Egypt Elizabeth Elizabethan emphasises English evil female Fletcher Goneril Gorboduc Hamlet Helen Helen-image Henry Herford and Simpson heroine Heywood honour husband Jacobean John kill King King Lear King's Men Lady Macbeth Lear lover lust Lyly male Margaret marriage Mary Materialen Middleton moral murder nature Noble Oxford Paris partly play Plutarch political punished Queen rape Renaissance represented revenge revenge plays role Roman rprt satiric scene seems sexual Shakespeare Shrew Sisters social society stage suggests Thomas Thomas Heywood Thomas Middleton Timoclea tradition Tragedy translated Troilus Troilus and Cressida Troy Tudor vengeful Venus virtuous W. W. Greg Waller Wh,B whore wife William Witch of Edmonton witchcraft witches woman women York