In the Posture of a Whore: Changing Attitudes to 'bad' Women in Elizabethan and Jacobean Drama, Volume 2 |
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Page 250
... represented : it is an attempt to reduce Margaret to the merely animal , while her " visard - like " face suggests a ... represents an order Richard 24 utterly opposes . Since her rhetoric now represents the resolu- tion to the conflict ...
... represented : it is an attempt to reduce Margaret to the merely animal , while her " visard - like " face suggests a ... represents an order Richard 24 utterly opposes . Since her rhetoric now represents the resolu- tion to the conflict ...
Page 251
... represents the ' right cause ' , she receives none of the glory , which falls on Richmond's [ Tudor ] shoulders ) . In a ... represented as bestial , is partly an expression of the unnaturalness of civil war ; it is ultimately almost ...
... represents the ' right cause ' , she receives none of the glory , which falls on Richmond's [ Tudor ] shoulders ) . In a ... represented as bestial , is partly an expression of the unnaturalness of civil war ; it is ultimately almost ...
Page 342
... represents her as " noble " or ignoble to herself . This is perhaps one reason for her being outstanding among ... represented as domestic stability . Though the protagonists are often dukes and princes we do not have the sense ...
... represents her as " noble " or ignoble to herself . This is perhaps one reason for her being outstanding among ... represented as domestic stability . Though the protagonists are often dukes and princes we do not have the sense ...
Common terms and phrases
action Amazon ambiguity Antony appears associated attitude beauty becomes Bowers Caesar called Cambridge cause characters Christian claim Cleopatra comedy comic concerned condemned considered conventional created Cressida dangerous death defined depicted desire drama effect Elizabeth Elizabethan emphasises encouraged England English evil female final Fletcher George Helen helps Henry Heywood honour husband idea imagination important individual instance John kill kind King Lady Macbeth less lover lust Macbeth male marriage Mary merely Middleton moral murder nature Noble Oxford Paris partly pattern perhaps play political potentially presented provides punished Queen relation remains Renaissance represented revenge Robert role Roman rprt rule satiric scene seems seen sense sexual Shakespeare shows Sisters social society stage Studies suggests Thomas tradition Tragedy translated Troilus Troy ultimately virtuous Waller whore wife witchcraft witches woman women York