In the Posture of a Whore: Changing Attitudes to 'bad' Women in Elizabethan and Jacobean Drama, Volume 2 |
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Page 186
When she found , after her recantation , that she had forsworn both her ' counsel '
and her dress , she swiftly returned to her previous stand on everything . The
visions and the dress were one and indivisible . Shakespeare ' s condemnation ...
When she found , after her recantation , that she had forsworn both her ' counsel '
and her dress , she swiftly returned to her previous stand on everything . The
visions and the dress were one and indivisible . Shakespeare ' s condemnation ...
Page 253
The ritualistic exaggeration of their " oily art " indicates a facility learned from Lear
; they win honours by putting Cordelia beside her part ; without the vituperations
which made Leir comic , they deliver their speeches and stand aside , like ...
The ritualistic exaggeration of their " oily art " indicates a facility learned from Lear
; they win honours by putting Cordelia beside her part ; without the vituperations
which made Leir comic , they deliver their speeches and stand aside , like ...
Page 271
And only two others stand out in the moralistic and romantic drama of the later
Jacobean period . One of these , Roxana , appears in Middleton ' s Hengist , King
of Kent ( 1618 ) , the play Schoenbaum chose to illustrate that " problems of ...
And only two others stand out in the moralistic and romantic drama of the later
Jacobean period . One of these , Roxana , appears in Middleton ' s Hengist , King
of Kent ( 1618 ) , the play Schoenbaum chose to illustrate that " problems of ...
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