The Advaita of Art

ābhāsa Abhinavagupta advaita of art aesthetic experience aesthetic form aestheticians ānanda Anandavardhana anumāna art experience art object artha beauty becomes bhakti Bharata Bhartṛhari bhoga brahman concept consciousness consort consortship Coomaraswamy cosmic Purușa creation creative Dehejia Delhi determinate cognition dhvani dhyāna divine dynamics emotion emphasising epistemic epistemology exalted Gitagovinda Hindu Ibid important Indian aesthetics Indian art Indian artist Indian tradition inner inquiry jñāna Kāśmir Kāśmīr Śaivism kavi kāvya knowledge Kramrisch Kṛṣṇa language levels of meaning mārgī tradition metaphysical Mīmāmsā Mīmāmsakas mind Motilal Banarsidass mudrās myth nāda parokṣa parokṣārtha Pārvatī philosophy poetry prakāśa pramāṇa pramāņas pratibhā Pratyabhijña pratyakṣa prepared aesthete Rabindranath Rabindranath Tagore Rādhā rasa rasa experience rasika realisation reality Rg Veda rūpa sabda sacred sādṛśya Śaivites sākṣātartha Śakti Śankara śāstras sense Śiva Śiva and Pārvatī sphota Śrī Aurobindo superficial symbol Tagore Tantric transcendent ultimate Upanisad Vakyapadiya Vedic vimarśa Vimarśinī viśranti visual words yajña yantra yoga