Sangeet Natak, Volume 37Sangeet Natak Akademi, 2002 - Aesthetics |
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Common terms and phrases
abhinaya According actual aesthetic appear artists attention become Bharata bhāvas called cents character classical close common course cover dance dancers Delhi Dhrupad distinctive drama duration emotional essential evoked example experience expression fact factors feeling Figure frequency Further gamakam guru hand higher Hindustani important Indian Indian dance individual Indo-Caribbean interest Kelucharan kind known local-classical music lower mean measurement melody merely movement nature object Odissi oscillations particular peaks performance perhaps period pitch play poem popular practice presentation question rāga range rasa recording referred regarded relate relative respect samples Sangeet Natak sense shows singer singing situation song sound speak stage sthāyibhāva sung taken tāna taste teacher teaching technique texts theatre theory Thumri Tillānā tradition tune values various vibhāva Voice whole