Sangeet Natak, Issues 131-134Sangeet Natak Akademi, 1999 - Aesthetics |
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abhoga accepted activity appear artists aspects became become Bengal body British Calcutta called Carnatic music characters Chhau communal composed composition context course create cultural dance dancer definition Delhi developed directions duration earlier edition efforts example exercise experience expression fact gamakams Girish Ghosh give given hand Hindu important Indian individual interpretation issue Krishna Krishnattam look Mayurbhanj meaning melody mentioned mind movements musicians Muslim nationalist nature notation partition performance period person pitch play political popular practice present produced publication published question raga received recorded referred riaz role Sangeet Natak Akademi sense Shambhu Hegde shows singer singing society songs sound spiritual stage style sung svara Swadeshi taken term theatre traditional translation troupes turn written Yakáı£agana Yakshagana