Sangeet Natak, Issues 131-134Sangeet Natak Akademi, 1999 - Aesthetics |
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Page 57
... period , the sections of the Dhrupada came to acquire the names still current , that is , sthayi , antara , sanchari , and abhoga . Although over a period of time the names of the first three sections changed , the name of the last ...
... period , the sections of the Dhrupada came to acquire the names still current , that is , sthayi , antara , sanchari , and abhoga . Although over a period of time the names of the first three sections changed , the name of the last ...
Page 59
... period , and Swami Haridas , Surdas and others of the Vaishnava sampradaya kept up the tradition of abhoga in their compositions . Here is a Bakshu composition : पूजो रे गणेश को गुनि । रिद्धि सिद्धि दाता ...
... period , and Swami Haridas , Surdas and others of the Vaishnava sampradaya kept up the tradition of abhoga in their compositions . Here is a Bakshu composition : पूजो रे गणेश को गुनि । रिद्धि सिद्धि दाता ...
Page 63
... period which rejects Pammal's kind of theatre : text - based , realistic , and proscenium - bound . ( Today's Tamil theatre is also proscenium - bound , but declares itself to be anti - proscenium . ) Finally , since this is the work of ...
... period which rejects Pammal's kind of theatre : text - based , realistic , and proscenium - bound . ( Today's Tamil theatre is also proscenium - bound , but declares itself to be anti - proscenium . ) Finally , since this is the work of ...
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Common terms and phrases
abhoga accepted activity appear artists aspects became become Bengal body British Calcutta called Carnatic music characters Chhau communal composed composition context course create cultural dance dancer definition Delhi developed directions duration earlier edition efforts example exercise experience expression fact gamakams Girish Ghosh give given hand Hindu important Indian individual interpretation issue Krishna Krishnattam look Mayurbhanj meaning melody mentioned mind movements musicians Muslim nationalist nature notation partition performance period person pitch play political popular practice present produced publication published question raga received recorded referred riaz role Sangeet Natak Akademi sense Shambhu Hegde shows singer singing society songs sound spiritual stage style sung svara Swadeshi taken term theatre traditional translation troupes turn written Yakṣagana Yakshagana