Sangeet Natak, Volume 37Sangeet Natak Akademi, 2002 - Aesthetics |
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Abhinavagupta abhinaya According to Abhinavagupta Aesthetic Experience According analysis artists Bhajan Bharata Bharatanatyam bhāvas Bhikhari Thakur Bhojpuri Bihāg Caribbean Carnatic music cents choreography classical dancers Delhi Dhrupad distinctive drama duration Dwivedi emotional evocation evoked factors feeling gamakam Gandharam genre Ghazal Gnoli guru harmonics Hindi Hindustani music Ibid Indian dance Indian music Indo-Caribbean Kathak Kelucharan Mohapatra Khyal Kuchipudi local-classical music Mayamalavagowla mean melody movement musicians North Indian Odissi Odissi dance Orissa oscillations Pankaj Charan Pankaj Charan Das peaks performance pitch play poem presentation rāga rasa rasa theory rasa-experience rasikas rati recording relative frequencies Rishabham samples samyoga Sangeet Natak Akademi Sanjukta Panigrahi Sanskrit sattva singer singing song śṛngāra stage sthāyi sthāyibhāva Suddha sung sūtra svaras taken tāla tan-singers tāna Tarānā taste technique texts theatre Thumri Tillānā tradition Trinidadian tune Ustad values Varnam vibhāva violin vocalist Voice vyabhichāribhāvas word