Shakespeare |
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Page 93
... scene of the Watch in Hamlet ) , the top of a hill or promon- tory , sometimes even Heaven . The play was given without a break , the division into acts and scenes having been introduced at the time of the First Folio and sometimes even ...
... scene of the Watch in Hamlet ) , the top of a hill or promon- tory , sometimes even Heaven . The play was given without a break , the division into acts and scenes having been introduced at the time of the First Folio and sometimes even ...
Page 122
... scene or scenes , of very great diversity , fulfil this complex function of presenting the per- sonages in their respective relationships , of setting the action in motion , and of establishing the connivance - which can be ironi- cal ...
... scene or scenes , of very great diversity , fulfil this complex function of presenting the per- sonages in their respective relationships , of setting the action in motion , and of establishing the connivance - which can be ironi- cal ...
Page 123
... scene on the storm - tossed ship in The Tempest : it tells us nothing that is not set out at length in Scene ii , but it offers a surprising mixture of colour , energy and humour , in the supernatural commotion of sea and sky which ...
... scene on the storm - tossed ship in The Tempest : it tells us nothing that is not set out at length in Scene ii , but it offers a surprising mixture of colour , energy and humour , in the supernatural commotion of sea and sky which ...
Contents
PART TWO TECHNIQUE | 77 |
THE CHARACTERS | 129 |
PART THREE THE THEMES | 187 |
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Common terms and phrases
action ambition Antony Antony and Cleopatra attitude beauty bethan blood characters classical Cleopatra comedy complete conventions Coriolanus Cressida crime critical death despair destiny disorder dramatist Duchess of Malfi effects emotion English evil experience expression faith fate fear feeling French ghosts give Hamlet hatred heart Henry hero honour human images imagination irony Jacobean King Lear L. C. Knights Lady Macbeth language logic lyrical Machiavelli madness Marlowe Marlowe's meaning Measure for Measure merely metaphor metaphysical mind moral murder nature night Othello passion personages pity play plot poet poetic poetry political Prince problem realism reality reason revenge rhetoric rhythm Richard Richard III romantic scene Seneca Shakespeare soul speech spirit stage style supreme symbolical T. S. Eliot takes Tamburlaine theatre themes thought Timon Timon of Athens tion tone tragedy tragic triumph Troilus Troilus and Cressida unity universe verse virtue whole Wilson Knight words