Sangeet Natak, Issues 31-34

accompaniment according actors appears audience becomes Bharata body called cast century character classical colour composed considered costume covered culture dance dancer developed district dolls Doon door drama dress drum effect emotions expression face feeling festival figures folk four give given groups hand higher important Indian instruments interest Kandyan dance Kerala Khan kind King known lamps leather light live look means mentioned Michigan musicians nature notes origin particular performance person play popular Pradesh present puppets raga Rama Ratanjankar referred region rhythm rituals round Sangeet Natak Akademi says screen seems shadow shows side significant similar sing social sometimes songs sound stage strings sung Tagore temple theatre tradition tribal troupe Tusu University various village West Bengal whole