Local Shakespeares: Proximations and PowerThis remarkable volume challenges scholars and students to look beyond a dominant European and North American 'metropolitan bank' of Shakespeare knowledge. As well as revealing the potential for a new understanding of Shakespeare's plays, Martin Orkin adopts a fresh approach to issues of power, where 'proximations' emerge from a process of dialogue and challenge traditional notions of authority. Divided into two parts this book:
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... recognition of and exploration of the knowledges and experiences of such, in many respects, markedly dissonant locations contribute to understanding of the text and its location? Without denying the simultaneous indispensability of the ...
... recognition of and exploration of the knowledges and experiences of such, in many respects, markedly dissonant locations contribute to understanding of the text and its location? Without denying the simultaneous indispensability of the ...
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... recognition of ambiguities in the presentation of authority in the late plays does occur, this rarely extends to interrogations about male corporeality, or scrutiny of male cognition, and too often disappears again, amidst ...
... recognition of ambiguities in the presentation of authority in the late plays does occur, this rarely extends to interrogations about male corporeality, or scrutiny of male cognition, and too often disappears again, amidst ...
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... recognition of proximations between men and women, evident too, not only in Robert Greene's Pandosto, but also in the extraordinary contestation of binaric modes of gender representation to be found in Pedro Almodóvar's All About My ...
... recognition of proximations between men and women, evident too, not only in Robert Greene's Pandosto, but also in the extraordinary contestation of binaric modes of gender representation to be found in Pedro Almodóvar's All About My ...
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... recognition of, adaption to or provocative engagement with local epistemology, briefly foregrounds the particular project of this book and also questions those aspects of the constructions of 'others' that imply the irreconcilability ...
... recognition of, adaption to or provocative engagement with local epistemology, briefly foregrounds the particular project of this book and also questions those aspects of the constructions of 'others' that imply the irreconcilability ...
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Contents
whose muti in the web ofit? | |
William TshikinyaChaka I presume? Cultural encounter in performance | |
Encountering D1 en in Shakespeares late plays | |
Any strange beast there makes a man | |
the unruliness of patriarchy | |
Notes | |
Select Bibliography | |
Index | |
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Common terms and phrases
accountability acknowledgement affect African appears argues articulation aspects attempt audience authority becomes body Caliban called Cambridge cited colonial complexities concern context critics cultural desire Early Modern encounter England English equivocal European evidence experience extent fact father fear final further gender human insistence instance island Italy John kind knowledge language late later Leontes less lines London male masculinity matter means misogyny Moreover mother move narrative nature noted observes original Othello particular partly patriarchal performance Pericles play political position possibility Posthumus potential practice presentation production provides proximation putative question reading reference registers relations remains remarked resonates rhetoric scene sense sexual Shakespeare simultaneously social sometimes South Africa speaking stage suggests Tempest theatre thing Tswana turn understanding University Press violence Winter’s Tale woman women writing Zulu