Shakespeare's Theatre: A Dictionary of His Stage ContextShakespeare's Theatre consolidates the author's forty years of experience in studying and staging Shakespeare's plays. Under an alphabetical list of relevant terms, names and concepts, the book reviews current knowledge of the character and operation of theatres in Shakespeare's time, with an explanation of their origins. Coverage includes the practices of Elizabethan actors and script writers: methods of characterization; gesture, blocking and choreography, including music, dance and fighting; actors' rhetorical interaction with audiences; and use of costumes, stage props, and make-up. The author makes use of scripts and scholarship about original stagings of Shakespeare and suggests how those productions related to modern staging. Much of this material has developed as a result of the recent increased interest in the significance of performance for interpreting Shakespeare, including the recovery of the archaeological evidence about the original Rose and Globe Theaters. The book contains current bibliographies for each topic and consolidates these in an overall bibliography for Shakespeare and his theaters. |
From inside the book
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Page 25
... Othello may not transcend their literal relationship , so that Iago incarnates the evil instincts and resentful reflexes which Othello has repressed in his own mind , to which he is therefore involuntarily susceptible because he cannot ...
... Othello may not transcend their literal relationship , so that Iago incarnates the evil instincts and resentful reflexes which Othello has repressed in his own mind , to which he is therefore involuntarily susceptible because he cannot ...
Page 66
... Othello with a light and Desdemona in her bed asleep ( 5.2.0 ) . For such issues in performance see Richard Hosley ... Othello . A bell is rung ' ( Quarto 1 , 2.3.160 ) , of which Othello says , ' Silence that dreadful bell , it frights ...
... Othello with a light and Desdemona in her bed asleep ( 5.2.0 ) . For such issues in performance see Richard Hosley ... Othello . A bell is rung ' ( Quarto 1 , 2.3.160 ) , of which Othello says , ' Silence that dreadful bell , it frights ...
Page 70
... Othello is how paradoxical the colour coding is : Othello the black man is virtuous , the white lago is evil , yet the fair Desdemona is also virtuous , against the grain of much of Shakespeare's reverse psychology , as in Sonnet 127 ...
... Othello is how paradoxical the colour coding is : Othello the black man is virtuous , the white lago is evil , yet the fair Desdemona is also virtuous , against the grain of much of Shakespeare's reverse psychology , as in Sonnet 127 ...
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Common terms and phrases
Admiral's Men Alan allusions Andrew Gurr Antony appears audience boy actors Burbage Caesar characters classical Comedy contemporary costumes court Cymbeline dance Dictionary of Stage disguise dramatist Dream Duke E. K. Chambers Earl edition effects Elizabeth Elizabethan stage Elizabethan theatre England English Renaissance entry Falstaff figures Folio fools gallery Globe Playhouse Globe Theatre Hamlet Henry IV Henry VI Henry VIII Henslowe's history plays illustrated imagery indicates Italian John Jonson Katherine King King's King's Men Kinsmen Lady later Lear London Lord Love's Labour's Macbeth marriage medieval Merry Wives modern on-stage Othello Oxford performance Pericles Prince professional Puritans quarto Queen Renaissance Drama rhetorical Richard Burbage Richard III Richard of Gloucester Richmond roles Romeo scenes sexual Shake Shakespeare's company Shakespeare's plays Shrew significant Sonnets speare's Stage Directions studies Tempest texts theatrical Thomas thou traditional tragedy Troilus Tudor Twelfth Night University Press verse Winter's Tale women word
References to this book
Shakespeare and Cognition: Aristotle's Legacy and Shakespearean Drama Arthur F. Kinney Limited preview - 2006 |