Shakespeare's Theatre: A Dictionary of His Stage ContextShakespeare's Theatre consolidates the author's forty years of experience in studying and staging Shakespeare's plays. Under an alphabetical list of relevant terms, names and concepts, the book reviews current knowledge of the character and operation of theatres in Shakespeare's time, with an explanation of their origins. Coverage includes the practices of Elizabethan actors and script writers: methods of characterization; gesture, blocking and choreography, including music, dance and fighting; actors' rhetorical interaction with audiences; and use of costumes, stage props, and make-up. The author makes use of scripts and scholarship about original stagings of Shakespeare and suggests how those productions related to modern staging. Much of this material has developed as a result of the recent increased interest in the significance of performance for interpreting Shakespeare, including the recovery of the archaeological evidence about the original Rose and Globe Theaters. The book contains current bibliographies for each topic and consolidates these in an overall bibliography for Shakespeare and his theaters. |
From inside the book
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Page 44
... Richard of Gloucester when he establishes his con- fidential relation to the audience in his opening soliloquy to Richard III , since the soliloquy is analogous to the aside , but offers confidences not spoken in the presence of other ...
... Richard of Gloucester when he establishes his con- fidential relation to the audience in his opening soliloquy to Richard III , since the soliloquy is analogous to the aside , but offers confidences not spoken in the presence of other ...
Page 270
... Richard II , scarcely corrected by Henry V's admission of Lancastrian guilt ( 4.1.291–305 ) , and only resolved by the union of opposed claimants in the marriage of Lancastrian Henry VII with Elizabeth of York at the end of Richard III ...
... Richard II , scarcely corrected by Henry V's admission of Lancastrian guilt ( 4.1.291–305 ) , and only resolved by the union of opposed claimants in the marriage of Lancastrian Henry VII with Elizabeth of York at the end of Richard III ...
Page 348
... Richard III , see the Arden edition of Richard III by Antony Hammond . For a broad history of the play's adjustment for performance , including a sympathetic account of Cibber's version , see Scott Colley , Richard's Himself Again : A ...
... Richard III , see the Arden edition of Richard III by Antony Hammond . For a broad history of the play's adjustment for performance , including a sympathetic account of Cibber's version , see Scott Colley , Richard's Himself Again : A ...
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Common terms and phrases
Admiral's Men Alan allusions Andrew Gurr Antony appears audience boy actors Burbage Caesar characters classical Comedy contemporary costumes court Cymbeline dance Dictionary of Stage disguise dramatist Dream Duke E. K. Chambers Earl edition effects Elizabeth Elizabethan stage Elizabethan theatre England English Renaissance entry Falstaff figures Folio fools gallery Globe Playhouse Globe Theatre Hamlet Henry IV Henry VI Henry VIII Henslowe's history plays illustrated imagery indicates Italian John Jonson Katherine King King's King's Men Kinsmen Lady later Lear London Lord Love's Labour's Macbeth marriage medieval Merry Wives modern on-stage Othello Oxford performance Pericles Prince professional Puritans quarto Queen Renaissance Drama rhetorical Richard Burbage Richard III Richard of Gloucester Richmond roles Romeo scenes sexual Shake Shakespeare's company Shakespeare's plays Shrew significant Sonnets speare's Stage Directions studies Tempest texts theatrical Thomas thou traditional tragedy Troilus Tudor Twelfth Night University Press verse Winter's Tale women word
References to this book
Shakespeare and Cognition: Aristotle's Legacy and Shakespearean Drama Arthur F. Kinney Limited preview - 2006 |