I will not struggle, I will stand stone-still. For heaven's sake, Hubert, let me not be bound! I will not stir, nor wince, nor speak a word, Thrust but these men away, and I'll forgive you, deed. Hub. Go, stand within; let me alone with him. 1 Attend. I am best pleas'd to be from such a [Exeunt Attendants. Arth. Alas! I then have chid away my friend; He hath a stern look, but a gentle heart;Let him come back, that his compassion may Give life to yours. Hub. Come, boy, prepare yourself. Arth. Is there no remedy? Hub. None, but to lose your eyes. Arth. O heaven!-that there were but a mote in yours, A grain, a dust, a gnat, a wand'ring hair, Then, feeling what small things are boist'rous there, Hub. Is this your promise? go to, hold your tongue. Arth. Hubert, the utterance of a brace of tongues Must needs want pleading for a pair of eyes; Let me not hold my tongue; let me not, Hubert! Or, Hubert, if you will, cut out my tongue, So I may keep mine eyes: 0, spare mine eyes: Though to no use, but still to look on you! Lo, by my troth, the instrument is cold, And would not harm me. Hub. I can heat it, boy. Arth. No, in good sooth; the fire is dead with grief, Being create for comfort, to be us'd 6 "This is according to nature,' says Johnson. no evil so great as that which is near us.' "We imagine In undeserv'd extremes: See else yourself; Hub. But with my breath I can revive it, boy. Snatch at his master that doth tarres him on. That mercy, which fierce fire, and iron, extends, Hub. Well, see to live; I will not touch thine eyes For all the treasure that thine uncle owes9: Yet am I sworn, and I did purpose, boy, With this same very iron to burn them out. Arth. O, now you look like Hubert! all this while You were disguised. Peace: no more. Adieu: Hub. Arth. "The fire being created, not to hurt, but to comfort, is dead with grief for finding itself used in acts of cruelty, which, being innocent, I have not deserved.' 8 i. e. stimulate, set him on. The word occurs again in HamAnd the nation holds it no sin to tarre them on to controAnd in Troilus and Cressida : let: versy.' 'Pride alone must tarre the mastiffs on.' It has been derived from Taqάrτw, excito; but H. Tooke says that it is from Tyfar, A. S. exacerbare, irritare. 9 Owns. 10 i. e. secretly, privately. Sc. 1: So in Albumazar, 1610, Act iii. I'll entertain him here; meanwhile steal you SCENE II. The same. A Room of State in the Palace. Enter KING JOHN, crowned; PEMBROKE, SALISBURY, and other Lords. The King takes his State. K. John. Here once again we sit, once again crown'd, And look'd upon, I hope, with cheerful eyes. Was once superfluous1: you were crown'd before, To seek the beauteous eye of heaven to garnish, Pemb. But that your royal pleasure must be done, This act is as an ancient tale new told3: And, in the last repeating, troublesome, Being urged at a time unseasonable. Sal. In this, the antique and well noted face Of plain old form is much disfigured: 1 i. e. this one time more was one time more than enough. It should be remembered that King John was now crowned for the fourth time. 2 To guard is to ornament. Act ii. Sc. 2: So in the Merchant of Venice, give him a livery More guarded than his fellows.' Shakspeare has here repeated an idea which he had first put into the mouth of the Dauphin : 'Life is as tedious as a twice-told tale, Vol. IV. 16* And, like a shifted wind unto a sail, It makes the course of thoughts to fetch about: Startles and frights consideration; Makes sound opinion sick, and truth suspected, For putting on so new a fashion'd robe. Pem. When workmen strive to do better than well, They do confound their skill in covetousness1: And, oftentimes, excusing of a fault, Doth make the fault the worse by the excuse; Discredit more in hiding of the fault5, Than did the fault before it was so patch'd. 4 i. e. not by their avarice, but in an eager desire of excelling. As in King Henry V.: 'But if it be a sin to covet honour, I am the most offending soul alive.' 5 Fault means blemish. 6 Since the whole and each particular part of our wishes, &c. To declare, to publish the purposes of all, &c. 8 Releasement. If, what in rest you have, in right you hold, Enter HUBERT. To your direction.-Hubert, what news with you? What we so fear'd he had a charge to do. 9 The construction of this passage is 'If you have a good title to what you now have in rest (i. e. quiet), why then is it that your fears should move you,' &c. 10 In the middle ages, the whole education of princes and noble youths consisted in martial exercises, &c. Mental improvement might have been had in a prison as well as any where else. 11 The purpose of the king, to which Salisbury alludes, is that of putting Arthur to death, which he considers as not yet accomplished, and therefore supposes that there might be still a conflict in the king's mind 'Between his purpose and his conscience.' |