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borrowed one at that. You see his mustache and his head trying to get white (he is always trying to look like me-I don't blame him for that). These are only emblematic of his character, and that is all. I say, without exception, hair and all, he is the whitest man I have ever known.-Mark Twain. (From speech delivered at banquet to H. H. Rogers.)

HEN a man's deeds are discovered

quisitors, look into his face, and extend their examination over his whole body, beginning with the fingers of each hand. I was surprised at this, and the reason was thus explained to me:

Every volition and thought of man is inscribed on his brain; for volition and thought have their beginnings in the brain, thence they are conveyed to the bodily members, wherein they terminate. Whatever, therefore, is in the mind is in the brain, and from the brain in the body according to the order of its parts. So a man writes his life in his physique, and thus the angels discover his autobiography in his structure.

I

-Swedenborg.

T takes a great deal of boldness mixed with a vast deal of caution, to acquire a great fortune; but then it takes ten times as much wit to keep it after you have got it as it took to make it.

-Mayer A. Rothschild.

O the beloved and deplored memory of her who was the inspirer, and in part the author, of all that is best in my writings-the friend and wife whose exalted sense of truth and right was my strongest incitement, and whose approbation was my chief reward-I dedicate this volume. Like all that I have written for many years, it belongs as much to her as to me; but the work as it stands has had, in a very insufficient degree, the inestimable advantage of her revision; some of the most important portions having been reserved for a more careful examination, which they are now destined never to receive. Were I but capa

ble of interpreting to the world onehalf the great thoughts and noble feelings which are buried in her grave, I should be the medium of a greater benefit to it, than is ever likely to arise from anything that I can write, unprompted and unassisted by her all but unrivaled wisdom.-John Stuart Mill. (Dedication to" On Liberty.")

APPINESS itself is sufficient ex

cuse. Beautiful things are right and true; so beautiful actions are those pleasing to the gods. Wise men have an inward sense of what is beautiful, and the highest wisdom is to trust this intuition and be guided by it. The answer to the last appeal of what is right lies within a man's own breast. Trust thyself.-Aristotle.

HE canons of scientific evidence justify us neither in accepting nor rejecting the ideas upon which morality and religion repose. Both parties to the dispute beat the air; they worry their own shadow; for they pass from Nature into the domain of speculation, where their dogmatic grips find nothing to lay hold upon. The shadows which they hew to pieces grow together in a moment like the heroes in Valhalla, to rejoice again in bloodless battles Metaphysics can no longer claim to be the cornerstone of religion and morality. But if she can not be the Atlas that bears the moral world she can furnish a magic defense. Around the ideas of religion she throws her bulwark of invisibility; and the sword of the skeptic and the battering-ram of the materialist fall harmless on vacuity.

-Immanuel Kant.

Let our schools teach the nobility of labor and the beauty of human service, but the superstitions of ages pastnever!-Peter Cooper.

The ruin of most men dates from some idle moment.-George S. Hillard.

A great thing is a great book; but a greater thing than all is the talk of a great man.-Disraeli,

HAT knowledge is of most worth? The uniform reply is: Science. This is the verdict on all counts For direct self-preservation, or the maintenance of life and health, the all-important knowledge is-science. For that indirect self-preservation which we call gaining a livelihood, the knowledge of greatest value is-science. For the discharge of parental functions, the proper guidance is to be found only in science. For the interpretation of national life, past and present, without which the citizen can not rightly regulate his conduct, the indispensable key is-science. Alike for the most perfect production and present enjoyment of art in all its forms, the needful preparation is stillscience. And for purposes of disciplineintellectual, moral, religious-the most efficient is, once more science.

-Herbert Spencer.

HE last moments which Nelson passed at Merton were employed in praying over his little daughter as she lay sleeping. A portrait of Lady Hamilton hung in his cabin; and no Catholic ever beheld the picture of his patron saint with more devout reverence. The undisguised and romantic passion with which he regarded it amounted almost to superstition; and when the portrait was now taken down, in clearing for action, he desired the man who removed it to "take care of his guardian angel." In this manner he frequently spoke of it, as if he believed there was a virtue in the image. He wore a miniature of her also next to his heart.-Robert Southey.

I am quite certain that there is nothing which draws so good, or at least so large a congregation as a fight in the pulpit.-Bolton Hall.

Y

He is not only idle who does nothing, but horse was very lame, and my head he is idle who might be better employed. -Socrates.

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did ache exceedingly. Now what occurred I here avow is truth-let each man account for it as he will. Suddenly I thought, "Can not God heal man or beast as He will?" Immediately my weariness and headache passed; and my horse was no longer lame.

-John Wesley's Journal.

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Y DEAR SPENCER: Your telegram which reached me on Friday evening caused me great perplexity, inasmuch as I had just been talking to Morley, and agreeing with him that the proposal for a funeral in Westminster Abbey had a very questionable look to us, who desired nothing so much as that peace and honor should attend George Eliot to her grave

It can hardly be doubted that the proposal will be bitterly opposed, possibly (as happened in Mill's case with less provocation) with the raking up of past histories, about which the opinion even of those who have least the desire or the right to be pharisaical is strongly divided,

and which had better be forgotten se

to Christian practice in regard to marriage, and Christian theory in regard to dogma. How am I to tell the Dean that I think he ought to read over the body of a person who did not repent of what the Church considers mortal sin, a service not one solitary proposition of which she would have accepted for truth while she was alive? How am I to urge him to do that which, if I were in his place, I should most emphatically refuse

Oh, may I join the choir invisible
Of those immortal dead who live again
In minds made better by their presence; live
In pulses stirred to generosity,

In deeds of daring rectitude, in scorn
For miserable aims that end with self,
In thoughts sublime that pierce the night

like stars,

And with their mild persistence urge man's

search

To vaster issues.

So to live is heaven:

To make undying music in the world,
Breathing as beauteous order, that

controls

to do? You tell me that Mrs. Cross wished for the funeral in the Abbey.

While I desire to entertain the greatest respect for her wishes, I am very sorry to hear it. I do not understand the feeling which could create

With growing sway the growing life of such an unusual de

man.

So we inherit that sweet purity.
For which we struggled, failed and
agonized,

With widening retrospect that bred despair,
Rebellious flesh that would not be sub-
dued,

A vicious parent shaming still its child-
Poor anxious penitence-is quick dis-

solved;

Its discords, quenched by meeting harmonies,

sire on any personal grounds save those of affection, and the natural yearning to be near, even in death, those whom we have

loved. And on public grounds the wish is still less intelligible to me. One can not eat one's cake and have it too. Those who elect to be free in thought and deed must not hanker after the rewards, if they are to be so called, which the world offers to those who put up with its fetters.

(Concluded on next page)

With respect to putting pressure on the Dean of Westminster, I have to consider that he has some confidence in me, and before asking him to do something for which he is pretty sure to be violently assailed, I have to ask myself whether I really think it a right thing for a man in his position to do. Now I can not say I do. However much I may lament the circumstance, Westminster Abbey is a Christian Church and not a Pantheon, and the Dean thereof is officially a Christian priest, and we ask him to bestow exceptional Christian honors by this burial in the Abbey George Eliot is known not only as a great writer, but as a person whose life and opinions were in notorious antagonism

Thus, however I look at the proposal, it seems to me to be a profound mistake, and I can have nothing to do with it. I shall be deeply grieved if this resolution is ascribed to any other motives than those which I have set forth at greater length than I intended.

Ever yours very faithfully, T. H.Huxley. (Letter to Herbert Spencer.)

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EONARDO painted souls whereof the features and the limbs are but an index. The charm of Michelangelo's ideal is like a flower upon a tree of rugged strength. Raphael aims at the loveliness which can not be disjoined from goodness. But Correggio is contented with bodies "delicate and desirable." His

angels are genii disimprisoned from the perfumed chalices of flowers, hourisofan erotic paradise, elemental spirits of nature wantoning in Eden in her prime. To accuse the painter of conscious immorality, or of what is stigmatized as sensuality, would be as ridiculous as to class his seraphic beings among the products of the Christian imagination. They belong to the generation of the fauns; like fauns, they combine a certain savage wildness a dithyrambic ecstasy of inspiration, a delight in rapid movements as they revel amid clouds or flowers, with the perma

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Die in the large and charitable air;
And all our rarer, better, truer self,
That sobbed religiously in yearning song,
That watched to ease the burthen of the
world,

Laboriously tracing what must be,

And what may yet be better-saw within
A worthier image for the sanctuary,
And shaped it forth before the multitude
Divinely human, raising worship so

To higherreverence more mixed with love
That better self shall live till human Time
Shall fold its eyelids and the human sky
Be gathered like a scroll within the tomb
Unread forever.

This is life to come,
Which martyred men have made more
glorious

For us who strive to follow. May I reach
That purest heaven; be to other souls
The cup of strength in some great agony;
Enkindle generous ardor; feed pure love;
Beget the smiles that have no cruelty-
Be the sweet presence of a good diffused,
And in diffusion even more intense.
So shall I join the choir invisible
Whose music is the gladness of the world.
"Oh, May I Join the Choir Invisible,"

nent and all-pervading sweetness of the master's style. When infantine or childlike, these celestial sylphs are scarcely to be distinguished for any noble quality of beauty from Murillo's cherubs, and are far less divine than the choir of children who attend the Madonna in Titian's "Assumption." But in their boyhood and their prime of youth they acquire a fullness of sensuous vitality and a radiance that are peculiar to Correggio..

As a consequence of the predilection for sensuous and voluptuous forms, Correg

by George Eliot

through his fancy into laughing faces, breezy tresses, and rolling mists. Sometimes a grand

er cadence reached his ear; and then St. Peter with the keys, or St. Augustine of the mighty brow, or the inspired eyes of St. John took form beneath his pencil s

But the light airs

returned, and rose, andlily facesbloomed again for him among the clouds. It is not therefore

in dignity or sublimity that Correggio excels, but in artless grace and melodious tenderness.

Now the mood which Correggio stimulates is one of natural and thoughtless pleasure. To feel his influence, and at the same moment to be the subject of strong passion, or fierce lust, or heroic resolve, or profound contemplation, or pensive melancholy, is impossible. Wantonness, innocent because unconscious of sin, immoral because incapable of any serious purpose, is the quality which prevails in all that he has painted.

It follows from this analysis that the Correggiosity of Correggio, that which sharply distinguished him from all previous artists, was the faculty of painting

a purely voluptuous dream of beautiful beings in perpetual movement, beneath the laughter of morning light, in a world of never-failing April hues.

When he attempts to depart from the fairyland of which he was the Prospero, and to match himself with the master of sublime thought or earnest passion, he proves his weakness. But within his own magic circle he reigns supreme, no other artist having blended the witcheries of coloring, chiaroscuro and faunlike loveliness of form into a harmony so perfect in its sensuous charm.

Bewitched by the strains of the siren we pardon affectations of expression, emptiness of meaning, feebleness of composition, exaggerated and melodramatic attitudes In that which is truly his own-the delineation of a transient moment in the life of sensuous beauty, the painting of a smile on Nature's face, when light and color tremble in harmony with the movement of joyous living creatures-none can approach Correggio.-John Addington Symonds.

RIESTS look backward, not forward They think that there were once men better and wiser than those who now live, therefore priests distrust the living and insist that we shall be governed by the dead. I believe this is an error, and hence I set myself against the Church and insist that men shall have the right to work out their lives in their own way, always allowing to others the right to work out their lives in their own way, too. -Garibaldi.

Every war is a national calamity whether victorious or not.-Gen. Von. Moltke.

ITIAN by a few strokes of the brush knew how to make the general image and character of whatever object he attempted. His great care was to preserve the masses of light and of shade, and to give by opposition the idea of that solidity which is inseparable from natural objects. He was the greatest of the Venetians and deserves to rank with Raphael and Michelangelo.

-Sir Joshua Reynolds.

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