и Н Н. л. LIBRARY COPYRIGHT, 1907, 1909, 1916, BY JOHN MATTHEWS MANLY ALL RIGHTS RESERVED 316.1 The Athenæum Press GINN AND COMPANY. PRO). PREFACE This book has been made in response to the wishes of teachers who need a collection of English prose and poetry in a single volume and who desire to have the selections provided with notes. It contains no selection not included in its predecessors, English Poetry (1170-1892) and English Prose (1137–1890). The condensation of the two volumes has been made with care, and it is believed that no selection has been omitted which is necessary in a rapid survey course. For the texts previous to Chaucer translations have been made and printed side by side with the texts. These translations of course have not all the qualities of the originals, but an attempt has been made to preserve not only the metrical form but also the tone and general manner. Where the original had poor rhymes, or loose syntax, or undignified diction, such features have been permitted in the translation, though it was not always possible to reproduce each at the exact point of its appearance. The effort to preserve the tone of the original has often rendered the task of translation or paraphrase difficult because of the necessity of excluding ideas and sentiments foreign to the original as well as diction out of harmony with it. The briefer and simpler notes are placed on the same page with the text, because the editor feels that turning frequently to the back of a book to consult notes or a glossary disturbs the reader's enjoyment and thereby interferes with, if it does not destroy, the effect of a piece of literature. The more elaborate notes, containing general information about the texts or authors, or discussing difficulties, or quoting interesting parallels, are placed at the end of the volume for the same reason — that is, to avoid interference with the enjoyment of the reader while he is engaged in reading. They may be consulted beforehand, in preparation for reading, or later, in explanation of difficulties that have not been solved by the reader himself. In the case of a few poems, the notes are purposely elaborate, because the poems themselves are either especially difficult, or especially suggestive in diction, or especially loaded with allusions; but in general the editor has striven to keep the annotations down to a practical minimum. That he has not always succeeded in this effort, he is only too well aware. There are many of the notes which he himself would disregard in reading and in teaching. But no one has yet discovered exactly what number of grains of sand makes a heap, and the present editor has not even been able to maintain strict consistency in regard to what knowledge may safely be assumed as possessed by students or easily accessible to them. Every student of English should possess a copy of Webster's Secondary School Dictionary or the Standard Desk Dictionary. Either one of these excellent dictionaries will be found to contain every word in these texts not explained in the notes. It was originally intended to omit from the notes every word explained in these dictionaries, but in practice it was found desirable to include many words found in them, chiefly because they were words which the student was likely to misunderstand and think it unnecessary to look up. The general notes at the end of the book are not intended to take the place of a history of English Literature, but merely to supplement such a volume or give emphasis to features of immediate interest. Some of them perhaps will seem to the student unnecessary, but it is hoped that he will remember that there are other students whose equipment and mental power differ widely from his. For assistance with the notes and the translations, the editor wishes to thank his friends Professor James Weber Linn and Miss Edith Rickert. For help in reading the proofs and for making the Table of Contents and the Index, he is indebted to his father, Dr. Charles Manly, and his sister, Mrs. H. M. Patrick. In conclusion, the editor wishes to express the hope that he has done nothing that will make more difficult for the student the enjoyment of English Literature and the cultivation of a taste for reading. His aim has been to help, not to hinder. JOHN M. MANLY CONTENTS A MORE Angland. 1137) Moralen .... I Higden's Polychronicon... ........ 71 A MONK OF PETERBOROUGH (c. 1154) The Anglo-Saxon Chronicle (extract from An. 1137).... The Poema Morale, or Morale Ode (c. 1170) THOMAS HOCCLEVE (1370?-1450?) De Regimine Principum (Ön Chaucer)... 72 The Orrmulum. ..................... The Story of Thebes.... ........ Robin Hood and Guy of Gisborne. The Ancren Riwle (Speech; Nuns May Keep The Battle of Otterburn............... (Author unknown)........ Captain Car, or Edom o Gordon.. Lord Randal..... NICHOLAS DE GUILDFORD? (f. 1250) The Owl and the Nightingale........... St. Stephen and Herod.......... Cursor Mundi (The Flight into Egypt) SIR THOMAS MALORY (1400 ?-1470) (c. 1300) (Author unknown).... 17 Le Morte Darthur, Bk. XXI, Cap. V.... Preface to the Book of Eneydos......... 86 Middle English LYRICS (Authors unknown) . STEPHEN HAWES (d. 1523) Ubi sunt qui ante nos fuerunt? (c. 1350) 23 Amour and Labell Pucell....... JOHN SKELTON (1460 2-1529) A Dirge for Phyllip Sparowe........... WILLIAM LANGLAND? (1332?-1400?) The Nútbrowne Maide (c. 1500) (Author The Prologue, B-Text: The Fable Who shall have my fayr lady?...... 92 SIR JOHN MANDEVILLE? (d. 1371) The Voiage and Travaile of Sir John Thys ender nyght.... ......... 92 Maundevile, Kt............... 30 The Gospel of Mathew................: Syr Gawayn and the Grene Knyght (c. 1370) What cher? Gud cher!........... 94 Pearl (c. 1370) (Author unknown).......... 46 Fyll the cuppe, Phylyppe........... 94 Make rome, syrs, and let us be mery 94 Confessio Amantis: Medea and Eson.... 51 GEOFFREY CHAUCER (1340 ?-1400) Lully, lulley, lulley, lulley. Troilus and Criseyde. ......... The lytyll, prety nyghtyngale....... 94 The Canterbury Tales, The Prologue.... Foules)........ The Compleint of Chaucer to His Empty A Dialogue of Syr Thomas More, Kt..... 95 A Treatise on the Astrolabe, Prologus.... 70 The Gospell of S. Mathew, Cap. V. ..... 96 .. 135 The Deserted Lover Consoleth Himself 97 The Twelfth Book of Homer's Odysseys 145 The Lover Complaineth the Unkindness SAMUEL DANIEL (1562-1619) Sonnets to Delia (XIX, LIV, LV)...... 146 A Description of Such a One as He Would Epistle to the Lady Margaret, Countess Love......................... 98 Of the Mean and Sure Estate........... 98 HENRY HOWARD, EARL OF SURREY (1517?- Ode XII, To the Cambro-Britans: Agin- Complaint of a lover Rebuked. ..... Nymphidia, The Court of Fairy........ 150 Description and Praise of His Love FRANCIS BACON (1561-1626) The Means to Attain a Happy Life..... Virgil's Æneid, Bk. II.... ...... Of Marriage and Single Life....... 151 The Scholemaster: The First Booke for Acts and Monuments: The Behaviour of Of Youth and Age................ Ridley and Latimer. .......... 103 MINOR POETRY THOMAS SACKVILLE, LORD BUCKHURST My Mind to Me a Kingdom Is - Sir A Mirror for Magistrates: The Induc- The Silent Lover — Sir Walter Raleigh. 160 The Conclusion - Sir Walter Raleigh .. 160 Song of Paris and Enone — George Harvestmen a-Singing -- George Peele. . 161 Farewell to Arms - George Peele...... IOI The Shepheards Calender: Februarie... 108 The Burning Babe — Robert Southwell 101 The Faerie Queene......... ...... INI Cherry Ripe - Thomas Campion...... 162 Epithalamion.................... 117 Phyllida and Corydon – N. Breton. ... 162 As It Fell Upon a Day – Ignoto....... 162 An Hymn in Honour of Beauty.... Phyllida's Love-call to Her Corydon -- An Hymn of Heavenly Beauty ........ The Shepherd's Description of Love - Damelus' Song to his Diaphenia - A Nymph's Disdain of Love - Ignoto. : 164 Rosalind's Madrigal — Thom. Lodge. .. 164 The Passionate Shepherd to His Love - Spring's Welcome............... ... 128 The Nymph's Reply to the Shepherd — Rosalynde: Euphues' Golden Legacy... 129 THE END OF THE RENAISSANCE Sweet are the thoughts that savour of Tuomas DEKKER (15707-1041) content..................... 131 Song from The Shoemaker's Holiday.... 166 Philomela's Ode...................... 131 Song from Old Fortunatus............. 166 Sephestia's Song to Her Child........... 132 Content (from Patient Grissill)......... 166 The Shepherd's Wife's Song ........... 132 The Gull's Hornbook, Cap. VI......... 166 A Groat's Worth of Wit, Bought with a BEN JONSON (1573?-1037) Million of Repentance. ....... 133 CHRISTOPHER MARLOWE (1564-1593) Hero and Leander, The First Sestiad 135 To the Memory of my Beloved, Master WILLIAM SHAKESPEARE (1564-1616) |