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A Modern Composition and Rhetoric (Complete Course) Containing the ...
Lewis Worthington Smith,James Eames Thomas
No preview available - 2016
accented adjective adverb Amphibrachic Anapaestic Anglo-Saxon argument arrangement beautiful begin bring chapter character clause clear coherence composition connection definite diction discourse distinction effect elegance emotional emphasis employed English EXERCISES exposition expression fact fault feeling finite verb following paragraphs force George Eliot give graph iambic pentameter ideas important interest language less letter literary literature look magazines matter means ment Merchant of Venice method metonymy mind nature newspaper nouns periodic sentence person phrases pleasure plural poetry preceding preposition present principles pronoun proper prose pupil Re-write reader reading relation rhetoric rhythm selection sense short sentences sort speak speech statement story style subordinate subordinate clause suggest syllables Synecdoche tence theme things thought tion topic-sentence Trochaic understand unity verb verse vocabulary Warren Hastings Washington Irving whole words writing written
Page 337 - FEAR death ? — to feel the fog in my throat, The mist in my face, When the snows begin, and the blasts denote I am nearing the place, The power of the night, the press of the storm, The post of the foe ; Where he stands, the Arch Fear in a visible form, Yet the strong man must go...
Page 4 - If to do were as easy as to know what were^ good to do, chapels had been churches, and poor men's cottages princes' palaces. It is a good divine that follows his own instructions: I can easier teach twenty what were good to be done, than be one of the twenty to follow mine own teaching.
Page 242 - She was dead. No sleep so beautiful and calm, so free from trace of pain, so fair to look upon. She seemed a creature fresh from the hand of God, and waiting for the breath of life — not one who had lived and suffered death.
Page 261 - I impeach Warren Hastings of high crimes and misdemeanors. I impeach him in the name of the Commons' House of Parliament, whose trust he has betrayed. I impeach him in the name of the English nation, whose ancient...
Page 385 - The mathematics and the metaphysics, Fall to them as you find your stomach serves you ; No profit grows where is no pleasure ta'en : In brief, sir, study what you most affect.
Page 2 - True ease in writing comes from art, not chance ; As those move easiest who have learned to dance. 'Tis not enough no harshness gives offence, The sound must seem an echo to the sense : Soft is the strain when zephyr gently blows, And the smooth stream in smoother numbers flows ; But when loud surges lash the sounding shore, The hoarse rough verse should like the torrent roar.
Page 310 - Paint us an angel, if you can, with a floating violet robe, and a face paled by the celestial light; paint us yet oftener a Madonna, turning her mild face upward and opening her arms to welcome the divine glory; but do not impose on us any aesthetic rules which shall banish from the region of Art those old women scraping carrots with their work-worn hands, those heavy clowns taking holiday in a dingy pothouse, those rounded backs and stupid weatherbeaten faces that have bent over the spade and done...
Page 363 - A man can scarce allege his own merits with modesty, much less extol them; a man cannot sometimes brook to supplicate or beg; and a. number of the like. But all these things are graceful in a friend's mouth, which are blushing in a man's own.
Page 273 - The only gift is a portion of thyself. Thou must bleed for me. Therefore the poet brings his poem; the shepherd, his lamb; the farmer, corn; the miner, a gem; the sailor, coral and shells; the painter, his picture; the girl, a handkerchief of her own sewing.