Shakespeare's Theatre: A Dictionary of His Stage ContextShakespeare's Theatre consolidates the author's forty years of experience in studying and staging Shakespeare's plays. Under an alphabetical list of relevant terms, names and concepts, the book reviews current knowledge of the character and operation of theatres in Shakespeare's time, with an explanation of their origins. Coverage includes the practices of Elizabethan actors and script writers: methods of characterization; gesture, blocking and choreography, including music, dance and fighting; actors' rhetorical interaction with audiences; and use of costumes, stage props, and make-up. The author makes use of scripts and scholarship about original stagings of Shakespeare and suggests how those productions related to modern staging. Much of this material has developed as a result of the recent increased interest in the significance of performance for interpreting Shakespeare, including the recovery of the archaeological evidence about the original Rose and Globe Theaters. The book contains current bibliographies for each topic and consolidates these in an overall bibliography for Shakespeare and his theaters. |
From inside the book
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Page 154
... dreams Elizabethans inherited from the works of Chaucer and from medieval and classical cultures generally a ... dream portending his defeat and death at Bosworth exploits his past victims to reinforce fate's determination of the ...
... dreams Elizabethans inherited from the works of Chaucer and from medieval and classical cultures generally a ... dream portending his defeat and death at Bosworth exploits his past victims to reinforce fate's determination of the ...
Page 155
... dream as a fanciful exploration of reality ( as frequently used by Chaucer ) is explored most exhaustively in Shakespeare by Dream , in which the dream world and the play world are perceived as indistinguishable in Puck's epilogue : If ...
... dream as a fanciful exploration of reality ( as frequently used by Chaucer ) is explored most exhaustively in Shakespeare by Dream , in which the dream world and the play world are perceived as indistinguishable in Puck's epilogue : If ...
Page 366
... dream , O Coward conscience , how dost thou afflict me ? The lights burn blue , it is now dead midnight , Cold fearful drops stand on my trembling flesh , What do I fear ? my self ? there's none else by , Richard loves Richard , that is ...
... dream , O Coward conscience , how dost thou afflict me ? The lights burn blue , it is now dead midnight , Cold fearful drops stand on my trembling flesh , What do I fear ? my self ? there's none else by , Richard loves Richard , that is ...
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Common terms and phrases
Admiral's Men Alan allusions Andrew Gurr Antony appears audience boy actors Burbage Caesar characters classical Comedy contemporary costumes court Cymbeline dance Dictionary of Stage disguise dramatist Dream Duke E. K. Chambers Earl edition effects Elizabeth Elizabethan stage Elizabethan theatre England English Renaissance entry Falstaff figures Folio fools gallery Globe Playhouse Globe Theatre Hamlet Henry IV Henry VI Henry VIII Henslowe's history plays illustrated imagery indicates Italian John Jonson Katherine King King's King's Men Kinsmen Lady later Lear London Lord Love's Labour's Macbeth marriage medieval Merry Wives modern on-stage Othello Oxford performance Pericles Prince professional Puritans quarto Queen Renaissance Drama rhetorical Richard Burbage Richard III Richard of Gloucester Richmond roles Romeo scenes sexual Shake Shakespeare's company Shakespeare's plays Shrew significant Sonnets speare's Stage Directions studies Tempest texts theatrical Thomas thou traditional tragedy Troilus Tudor Twelfth Night University Press verse Winter's Tale women word
References to this book
Shakespeare and Cognition: Aristotle's Legacy and Shakespearean Drama Arthur F. Kinney Limited preview - 2006 |