Reading Adaptations: Novels and Verse Narratives on the Stage, 1790-1840An introduction to the widespread and popular practice of stage adaptation in the late 18th and early 19th centuries. Through a series of specific case studies, the book offers readings of stage versions of works by writers such as William Godwin, Walter Scott and Charles Dickens, and establishes important contexts within which to view the production and reception of the period's canonical literature. The plays engage with the original texts' treatment of issues such as social and political justice, the construction of individual and national identity, and the emergence of the professional writer. |
From inside the book
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Page 39
... writing and notes that many critics are disdainful of any form of history which concentrates upon individual ... writing of history , it is clear that he is anticipating the essay's later discussion of the novel . Behind the distinction ...
... writing and notes that many critics are disdainful of any form of history which concentrates upon individual ... writing of history , it is clear that he is anticipating the essay's later discussion of the novel . Behind the distinction ...
Page 87
... writing which precluded him from the composition of drama - as he writes in the ' Introductory Epistle ' , ' It may pass for one good reason for not writing a play , that I cannot form a plot'.18 The discussion so far has , therefore ...
... writing which precluded him from the composition of drama - as he writes in the ' Introductory Epistle ' , ' It may pass for one good reason for not writing a play , that I cannot form a plot'.18 The discussion so far has , therefore ...
Page 127
... writing , to obtain a fair remuneration for his labour and talent ; the laxity that has crept into the different theatres in London renders it impossible , except by mere accident . A man may write a good piece and get well paid for it ...
... writing , to obtain a fair remuneration for his labour and talent ; the laxity that has crept into the different theatres in London renders it impossible , except by mere accident . A man may write a good piece and get well paid for it ...
Other editions - View all
Reading Adaptations: Novels and Verse Narratives on the Stage, 1790-1840 Philip Cox Limited preview - 2000 |
Reading Adaptations: Novels and Verse Narratives on the Stage, 1790-1840 Philip Cox (Lecturer.) No preview available - 2000 |
Common terms and phrases
Allan-Bane appears artistic attempts audience Bois-Guilbert Brian British Theatre Caleb Williams Cambridge University Press Cedric character Charles Dickens Clarendon Press closet closet drama contemporary critics cultural Dibdin Dickens's discussion drama dramatist earlier effect Egan's Elizabeth Inchbald English essay example Eyre Eyre's fiction Forster Frankenstein Galt genre gesture Godwin Hazlitt Hebrew ideological implicitly Inchbald Iron Chest Isaac Ivanhoe Ivanhoe's Knight of Snowdoun Lady Lake literary London Lukacs Mary Shelley melodrama Moncrieff narrative Nicholas Nickleby nineteenth century novelist Oliver Twist original Oxford performance Pickwick Papers play playwright poet poetic political popular present production provides quoted reader reading Rebecca representation revealed Review Rob Roy Roderick Romantic Sam Weller scene Scott's novel Scott's poetry seen sense Shakespeare Shelley's Sir Walter Scott social song speech stage adaptations suggests theatrical Three Acts tion Tories vulgar Weller Whilst William Godwin William Hazlitt William Wordsworth Wordsworth writing