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cracy. He was under the influence of all the feelings by which the gallant cavaliers were misled. But of those feelings he was the master and not the slave. Like the hero of Homer, he enjoyed all the pleasures of fascination; but he was not fascinated. He listened to the song of the Sirens; yet he glided by without being seduced to their fatal shore. He tasted the cup of Circe; but he bore about him a sure antidote against the effects of its bewitching sweetness. The illusions which captivated his imagination never impaired his reasoning powers. The statesman was a proof against the splendour, the solemnity, and the romance which enchanted the poet. Any person who will contrast the sentiments expressed in his Treatises on Prelacy, with the exquisite lines on ecclesiastical architecture and music in the Penseroso, which were published about the same time, will understand our meaning. This is an inconsistency which, more than any thing else, raises his character in our estimation; because it shows how many private tastes and feelings he sacrificed, in order to do what he considered his duty to mankind. It is the very struggle of the noble Othello. His heart relents; but his hand is firm. He does naught in hate, but all in honour. He kisses the beautiful deceiver before he destroys her. That from which the public character of Milton derives its great and peculiar splendour still remains to be mentioned. If he exerted himself to overthrow a foresworn king and a persecuting hierarchy, he exerted himself in conjunction with others. But the glory of the battle, which he fought for that species of freedom which is the most valuable, and which was then the least understood, the freedom of the human mind, is all his own. Thousands and tens of thousands among his contemporaries raised their voices against ship-money and the star-chamber. But there were few indeed who discerned the more fearful evils of moral and intellectual slavery, and the benefits which would result from the liberty of the ss and the unfettered exercise of private udgment. These were the objects which Milton justly conceived to be the most important. He was desirous that the people should think for themselves as well as tax themselves, and be emancipated from the dominion of prejudice as well as from that of Charles. He knew that those who, with the best intentions, overlooked these schemes of reform, and contented themselves with pulling down the king and imprisoning the malignants, acted like the heedless brothers in his own poem, who, in their eagerness to disperse the train of the sorcerer, neglected the means of liberating the captive. They thought only of conquering when they should have thought of disenchantIng. “Oh, ye mistook : You should have snatched the wand: Without the rod reversed, And backward mutters of dissevering power, We cannot free the lady that sits here Bound in strong setters fixed and motionless.” To reverse the rod, to spell the charm backward, to break the ties which bound a stupefied people to the seat of enchantment, was the noble aim of Milton. To this all his public conduct was directed. For this he joined the

Presbyterians—for this he forsook them. He fought their perilous battle; but he turned away with disdain from their insolent triumph. He saw that they, like those whom they had vanquished, were hostile to the liberty of thought. He therefore joined the Independents, and called upon Cromwell to break the secular chain, and to save free conscience from the paw of the Presbyterian wolf." With a view to the same great object, he attacked the licensing system in that sublime treatise which every statesman should wear as a sign upon his hand, and as frontlets between his eyes, His attacks were, in general, directed less against particular abuses than against those deeply-seated errors on which almost all abuses are founded, the servile worship of eminent men and the irrational dread of innovation.

That he might shake the foundations of these debasing sentiments more effectually, he always selected for himself the boldest literary services. He never came up to the rear when the outworks had been carried and the breach entered. He pressed into the forlorn hope, At the beginning of the changes, he wrote with incomparable energy and eloquence against the bishops. But, when his opinion seemed likely to prevail, he passed on to other subjects, and abandoned prelacy to the crowd of writers who now hastened to insult a falling party. There is no more hazardous enterprise than that of bearing the torch of truth into those dark and infected recesses in which no light has ever shone. But it was the choice and the pleasure of Milton to penetrate the noisome vapours and to brave the terrible explosion. Those who most disapprove of his opinions must respect the hardihood with which he maintained them. He, in general, left to others the credit of expounding and defending the popular parts of his religious and political creed. He took his own stand upon those which the great body of his countrymen reprobated as criminal, or derided as paradoxical. He stood up for divorce and regicide. He ridiculed the Eikon. He attacked the prevailing systems of education. His radiant and beneficent career resembled that of the god of light and fertility,

“Nitor in adversum; Mec me, qui eatera, vincit

Impetus, et rapido contrarius evehor orbi.”

It is to be regretted that the prose writings of Milton should, in our time, be so little read. As compositions, they deserve the attention of every man who wishes to become acquainted with the full power of the English language. They abound with passages compared with which the finest declamations of Burke sink into insignificance. They are a perfect field of cloth of gold. The style is stiff, with gorgeous embroidery. Not even in the earlier books of the Paradise Lost has he ever risen higher than in those parts of his controversial works in which his feelings, excited by conflict, find a vent in bursts of devotional and lyric rapture. It is, to borrow his own majestic language, “a sevenfold chorus of hallelujahs and harping symphonies.”f

* Sonnet to Cromwell. + The Reason of Church Government urged against Prelacy, Book II.

We had intended to look more closely at

their performances, to analyze the peculiarities of their diction, to dwell at some length

on the sublime wisdom of the Areopagitica, and the nervous rhetoric of the Iconoclast, and

to point out some of those magnificent passages which occur in the Treatise of Reformation and the Animadversions on the Remonstrant. But the length to which our remarks have already extended renders this impossible. We must conclude. And yet we can scarcely tear ourselves away from the subject. The days immediately following the publication of this relic of Milton appear to be peculiarly set apart and consecrated to his memory. And we shall scarcely be censured if, on this his festival, we be found lingering near his shrine, how worthless soever may be the offering which we bring to it. While this book lies on our table, we seem to be contemporaries of the great poet. We are transported a hundred and fifty years back. We can almost fancy that we are visiting him in his small lodging; that we see him sitting at the old organ beneath the faded green hangings; that we can catch the quick twinkle of his eyes, rolling in vain to find the day; that we are reading in the lines of his noble countenance the proud and mournful history of his glory and his affliction: We image to ourselves the breathless silence in which we should listen to his slightest word; the passionate veneration with which we should kneel to kiss his hand and weep upon it; the earnestness with which we should endeavour to console him, if indeed such a spirit could need consolation, for the neglect of an age unworthy of his talents and his virtues; the eagerness with which we should contest with his daughters, or with his Quaker friend, Elwood, the privilege of reading Homer to him, or of taking down the immortal accents which flowed from his lips.

These are perhaps foolish feelings. Yet we cannot be ashamed of them; nor shall we be sorry if what we have written shall in any degree excite them in other minds. We are not much in the habit of idolizing either the living or the dead. And we think that there is no more certain indication of a weak and ill-regulated intellect than that propensity which, for want of a better name, we will venture to christen Boswellism. But there are a few characters which have stood the closest scrutiny and the severest tests, which have been tried in the furnace and have proved pure, which have been weighed in the balance and have not been found wanting, which have been declared sterling by the general consent of mankind, and which are visibly stamped with the image and superscription of the Most High. These great men we trust that we know how to prize; and of these was Milton. The sight of his books, the sound of his name, are refreshing to us. His thoughts resemble those celestial fruits and flowers which the Virgin Martyr of Massinger sent down from the gardens of Paradise to the earth, distinguished from the productions of other soils, not only by their superior bloom and sweetness, but by their miraculous efficacy to invigorate and to heal. They are powerful, not only to delight, but to elevate and purify. Nor do we envy the man who can study either the life or the writings of the great Poet and Patriot without aspiring to emulate, not indeed the sublime works with which his genius has enriched our literature, but the zeal with which he laboured for the public good, the fortitude with which he endured every private calamity, the lofty disdain with which he looked down on temptation and dangers, the deadly hatred which he bore to bigots and tyrants, and the faith which he so sternly kept with his country and with his fame.

MACHIAWELLI.”

(EDINBURGH Review, 1827.]

Those who have attended to the practice of our literary tribunal are well aware that, by means of certain legal fictions similar to those of Westminster Hall, we are frequently enabled to take cognisance of cases lying beyond the sphere of our original jurisdiction. We need hardly say, therefore, that, in the present instance, M. Périer is merely a Richard Roe— that his name is used for the sole purpose of bringing Machiavelli into court—and that he will not be mentioned in any subsequent stage of the proceedings.

We doubt whether any name in literary history be so generally odious as that of the man whose character and writings we now propose to consider. The terms in which he is com

* QExpres complétes de Machiavel, traduites par J. V. Praira. Paris, 1825.

monly described would seem to import that he was the Tempter, the Evil Principle, the discoverer of ambition and revenge, the original inventor of perjury; that, before the publication of his fatal Prince, there had never been a hypocrite, a tyrant, or a traitor, a simulated virtue or a convenient crime. One writer gravely assures us, that Maurice of Saxony learned all his fraudulent policy from that execrable volume. Another remarks, that since it was translated into Turkish, the Sultans have been more addicted than formerly to the custom of strangling their brothers. Our own foolish Lord Lyttleton charges the poor Florentine with the manifold treasons of the House of Guise, and the massacre of St. Bartholomew. Several authors have hinted that the Gunpowder Plot is to be primarily attributed to his doctrines, and seem to think that his effigy

ought to be substituted for that of Guy Fawkes, in those processions by which the ingenuous youth of England annually commemorate the preservation of the Three Estates. The Church of Rome has pronounced his works accursed things. Nor have our own countrymen been backward in testifying their opinion of his merits. Out of his surname they have coined an epithet for a knave—and out of his Christian name a synonyme for the Devil.” It is indeed scarcely possible for any person, not well acquainted with the history and literature of Italy, to read, without horror and amazement, the celebrated treatise which has brought so much obloquy on the name of Machiavelli. Such a display of wickedness, naked, yet not ashamed, such cool, judicious, scientific atrocity, seem rather to belong to a fiend than to the most depraved of men. Principles which the most hardened ruffian would scarcely hint to his most trusted accomplice, or avow, without the disguise of some palliating sophism, even to his own mind, are professed without the slightest circumlocution, and assumed as the fundamental axioms of all political science. It is not strange that ordinary readers should regard the author of such a book as the most depraved and shameless of human beings. o. men, however, have always been inclined to look with great suspicion on the angels and demons of the multitude; and in the present instance, several circumstances have led even superficial observers to question the justice of the vulgar decision. It is notorious that Machiavelli was, through life, a zealous republican. In the same year in which he composed his manual of Kingcraft, he suffered imprisonment and torture in the cause of public liberty. It seems inconceivable that the martyr of freedom should have designedly acted as the apostle of tyranny. Several eminent writers have, therefore, endeavoured to detect, in this unfortunate performance, some concealed meaning more consistent with the character and conduct of the author than that which appears at the first glance. One hypothesis is, that Machiavelli intended to practice on the young Lorenzo de Medici a fraud, similar to that which Sunderland is said to have employed against our James the Second,-that he urged his pupil to violent and perfidious measures, as the surest means of accelerating the moment of deliverance and revenge. Another supposition, which Lord Bacon seems to countenance, is, that the treatise was merely a piece of grave irony, in

tended to warn nations against the arts of

ambitious men. It would be easy to show that neither of these solutions is consistent with many passages in the Prince itself. But the most decisive refutation is that which is furnished by the other works of Machiavelli. In all the writings which he gave to the public, and in all those which the research of editors has, in the course of three centuries, dis

• Nick Machiavel had ne'er a trick, Tho' he gave his name to our Old Nick. Hudibras, Part III. Cante I. But, we believe, there is a schism on this subject among the antiquaries.

covered—in his Comedies, designed for the entertainment of the multitude—in his Comments on Livy, intended for the perusal of the most enthusiastic patriots of Florence—in his History, inscribed to one of the most amiable and estimable of the Popes—in his Public Despatches—in his private Memoranda, the same obliquity of moral principle for which the Prince is so severely censured is more or less discernible. We doubt whether it would be possible to find, in all the many volumes of his compositions, a single expression indicating that dissimulation and treachery had ever struck him as discreditable. After this it may seem ridiculous to say, that we are acquainted with few writings which exhibit so much elevation of sentiment, so pure and warm a zeal for the public good, or so just a view of the duties and rights of citizens, as those of Machiavelli. Yet so it is. And even from the Prince itself we could select many passages in support of this remark. To a reader of our age and country this inconsistency is, at first, perfectly bewildering. The whole man seems to be an enigma—a grotesque assemblage of incongruous qualities— selfishness and generosity, cruelty and benevoience, craft and simplicity, abject villany and romantic heroism. One sentence is such as a veteran diplomatist would scarcely write in cipher for the direction of his most confidential spy: the next seems to be extracted from a theme composed by an ardent schoolboy on the death of Leonidas. An act of dexterous perfidy, and an act of patriotic self-devotion, call forth the same kind and the same degree of respectful admiration. The moral sensi bility of the writer seems at once to be morbidly obtuse and morbidly acute. Two characters altogether dissimilar are united in him. They are not merely joined, but inter woven. They are the warp and the woof of his mind; and their combination, like that of the variegated threads in shot silk, gives to the whole texture a glancing and ever-changing appearance. The explanation might have been easy, if he had been a very weak or a very affected man. But he was evidently neither the one nor the other. His works prove beyond all contradiction, that his understand ing was strong, his taste pure, and his sense of the ridiculous exquisitely keen. This is strange—and yet the strangest is behind. There is no reason whatever to think, that those amongst whom he lived saw any thing shocking or incongruous in his writings. Abundant proofs remain of the high estimation in which both his works and his person were held by the most respectable among his contemporaries. Clement the Seventh patronised the publication of those very books which the council of Trent, in the following generation, pronounced unfit for the perusal of Christians. Some members of the democratical party censured the secretary for dedicating the Prince to a patron who bore the unpopular name of Medici. But to those immoral doctrines, which have since called forth such severe reprehensions, no exception appears to have been taken. The cry against them was first raised beyond the Alps—and seams to have been heard with

amazement in Italy. The earliest assailant, as far as we are aware, was a countryman of our own, Cardinal Pole. The author of the AntiMachiavelli was a French Protestant. It is, therefore, in the state of moral feeling among the Italians of those times, that we must seek for the real explanation of what seems most mysterious in the life and writings of this remarkable man. As this is a subject which suggests many interesting considerations, both political and metaphysical, we shall make no apology for discussing it at some length. During the gloomy and disastrous centuries which followed the downfall of the Roman Empire, Italy had preserved, in a far greater degree than any other part of Western Europe, the traces of ancient civilization. The night which descended upon her was the night of an arctic summer:-the dawn began to reappear before the last reflection of the preceding sunset had faded from the horizon. It was in the time of the French Merovingians, and of the Saxon Heptarchy, that ignorance and ferocity seemed to have done their worst. Yet even then the Neapolitan provinces, recognising the authority of the Eastern Empire, preserved something of Eastern knowledge and refinement. Rome, protected by the sacred character of its Pontiffs, enjoyed at least comparative security and repose. Even in those regions where the sanguinary Lombards had fixed their monarchy, there was incomparably more of wealth, of information, of physical comfort, and of social order, than could be found in Gaul, Britain, or Germany. That which most distinguished Italy from the neighbouring countries was the importance which the population of the towns, from a very early period, began to acquire. Some cities founded in wild and remote situations, by fugitives who had escaped from the rage of the barbarians, preserved their freedom by their obscurity, till they became able to preserve it by their power. Others seemed to have retained, under all the changing dynasties of invaders, under Odoacer and Theodoric, Narses and Alboin, the municipal institutions which had been conferred on them by the liberal policy of the Great Republic. In provinces which the central government was too feeble either to protect or to oppress, these institutions first acquired stability and vigour. The citizens, defended by their walls and governed by their own magistrates and their own bylaws, enjoyed a considerable share of republican independence. Thus a strong democratic spirit was called into action. The Carlovingian sovereigns were too imbecile to subdue it. The generous policy of Otho encouraged it. It might perhaps have been suppressed by a close coalition between the Church and the Empire. It was fostered and invigorated by their disputes. In the twelfth century it attained its full vigour, and, after a long and doubtful conflict, it triumphed over the abilities and courage of the Swabian Princes. The assistance of the ecclesiastical power had greatly contributed to the success of the Guelfs. That success would, however, have

been to substitute a moral for a political servitude, to exalt the Popes at the expense of the Caesars. Happily the public mind of Italy had long contained the seeds of free opinions, which were now rapidly developed by the genial influence of free institutions. The people of that country had observed the whole machinery of the church, its saints and its miracles, its lofty pretensions and its splendid ceremonial, its worthless blessings and its harmless curses, too long and too closely to be duped. They stood behind the scenes on which others were gazing with childish awe and interest. They witnessed the arrangement of the pul leys, and the manufacture of the thunders. They saw the natural faces and heard the natural voices of the actors. Distant nations looked on the Pope as the vicegerent of the Almighty, the oracle of the All-wise, the umpire from whose decisions, in the disputes either of theologians or of kings, no Christian ought to appeal. The Italians were acquaint ed with all the follies of his youth, and with all the dishonest arts by which he had attained power. They knew how often he had em. ployed the keys of the church to release him self from the most sacred engagements, and its wealth to pamper his mistresses and nephews. The doctrines and rites of the established religion they treated with decent reverence. But though they still called themselves Catholics, they had ceased to be Papists. Those spiritual arms which carried terror into the palaces and camps of the proudest sovereigns excited only their contempt. When Alexander commanded our Henry the Second to submit to the lash before the tomb of a rebellious subject, he was himself an exile. The Romans, apprehending that he entertained designs against their liberties, had driven him from their city; and, though he solemnly promised to confine himself for the future to his spiritual functions, they still refused to re-admit him." In every other part of Europe, a large and powerful privileged class trampled on the people and defied the government. But in the most flourishing parts of Italy the feudal nobles were reduced to comparative insignificance. In some districts they took shelter under the protection of the powerful comraonwealths which they were unable to oppose, and gradually sunk into the mass of burghers. In others they possessed great influence; but it was an influence widely different from that which was exercised by the chieftains of the Transalpine kingdoms. They were not petty princes, but eminent citizens. Instead of strengthening their fastnesses among the mountains, they embellished their places in the market-place. The state of society in the Neapolitan dominions, and in some parts of the Ecclesiastical State, more nearly resembled that which existed in the great monarchies of Europe. But the governments of Lombardy and Tuscany, through all their revolutions, preserved a different character. A people, when assembled in a town, is far more formidable to its rulers than when dispersed over a wide extent of country. The most arbitrary of the Caesars found it necessary to feed and ial at the expense of the provinces. The citizens of Madrid have more than once besieged their sovereign in his own palace, and extorted from him the most humiliating concessions. The sultans have often been compelled to propitiate the furious rabble of Constantinople with the head of an unpopular vizier. From the same cause there was a certain tinge of democracy in the monarchies and aristocracies of Northern Italy. Thus liberty, partially, indeed, and transiently, revisited Italy; and with liberty came commerce and empire, science and taste, all the comforts and all the ornaments of life. The crusades, from which the inhabitants of other countries gained nothing but relics and wounds, brought the rising commonwealths of the Adriatic and Tyrrhene seas a large increase of wealth, dominion, and knowledge. Their moral and their geographical position enabled them to profit alike by the barbarism of the West and the civilization of the East. Their ships covered every sea. Their sactories rose on every shore. Their moneychangers set their tables in every city. Manufactures flourished. Banks were established. The operations of the commercial machine were facilitated by many useful and beautiful inventions. We doubt whether any country of Europe, our own perhaps excepted, have at the present time reached so high a point of wealth and civilization as some parts of Italy had attained four hundred years ago. Historians rarely descend to those details from which alone the real state of a community can be collected. Hence posterity is too often deceived by the vague hyperboles of poets and rhetoricians, who mistake the splendour of a court for the happiness of a people. Fortunately John Willani has given us an ample and precise account of the state of Florence in the earlier part of the fourteenth century. The revenue of the republic amounted to three hundred thousand florins, a sum which, allowing for the depreciation of the precious metals, was at least equivalent to six hundred thousand pounds sterling; a larger sum than EngJand and Ireland, two centuries ago, yielded annually to Elizabeth—a larger sum than, according to any computation which we have seen, the Grand-duke of Tuscany now derives from a territory of much greater extent. The manufacture of wool alone employed two hundred factories and thirty thousand workmen. The cloth annually produced sold, at an average, for twelve hundred whousand florins; a sum fairly equal, in exchangeable value, to two millions and a half of our money. Four hundred thousand florins were annually coined. Eighty banks conducted the commercial operations, not of Florence only, but of all Europe. The transactions of these establishments were

been a doubtful good, if its only effect had divert the inhabitants of their unwieldy capi

sometimes of a magnitude which may surprise

even the contemporaries of the Barings and the Rothschilds. Two houses advanced to Edward the Third of England upwards of three hundred thousand marks, at a time when the mark contained more silver than fifty shillings of the present day, and when the value of silver was more than quadruple of what it

now us. The city and its environs contained

a hundred and seventy thousand inhabitants. In the various schools about ten thousand children were taught to read; twelve hundred studied arithmetic; six hundred received a learned education. The progress of elegant literature and of the fine arts was proportioned to that of the public prosperity. Under the | despotic successors of Augustus, all the fields of the intellect had been turned into arid wastes, still marked out by formal boundaries, still retaining the traces of old cultivation, but yielding neither flowers nor fruit. The deluge of barbarism came. It swept away all the landmarks. It obliterated all the signs of former tillage. But it fertilized while it devas tated. When it receded, the wilderness was as the garden of God, rejoicing on every side, laughing, clapping its hands, pouring forth in spontaneous abundance every thing brilliant, or fragrant, or nourishing. A new language, characterized by simple sweetness and simple energy, had attained its perfection. No tongue ever furnished more gorgeous and vivid tints to poetry; nor was it long before a poet appeared who knew how to employ them. Early in the fourteenth century came forth the Divine Comedy, beyond comparison the greatest work of imagination which had appeared since the poems of Homer. The following generation produced, indeed, no second Dante; but it was eminently distinguished by general intellectual activity. The study of the Latin writers had never been wholly neglected in Italy. But Petrarch introduced a more profound, liberal, and elegant scholarship; and communicated to his countrymen that enthusiasm for the literature, the history, and the antiquities of Rome, which divided his own heart with a frigid mistress and a more frigid muse. Boccaccio turned their attention to the more sublime and graceful models of Greece. From this time the admiration of learning and genius became almost an idolatry among the people of Italy. Kings and republics, car. dinals and doges, vied with each other in honouring and flattering Petrarch. Embassies from rival states solicited the honour of his instructions. His coronation agitated the court of Naples and the people of Rome as much as the most important political transactions could have done. To collect books and antiques, to found professorships, to patronise men of learning, became almost universal fashions among the great. The spirit of literary research allied itself to that of commercial enterprise. Every place to which the merchantprinces of Florence extended their gigantic traffic, from the bazaars of the Tigris to the monasteries of the Clyde, was ransacked for medals and manuscripts. Architecture, painting, and sculpture were munificently encouraged. Indeed it would be difficult to name an Italian of eminence during the period of which we speak, who, whatever may have been his general character, did not at least affect a love of letters and of the arts. Knowledge and public prosperity continued to advance together. Both attained their meridian in the age of Lorenzo the Magnificent. We cannot refrain from quoting the splendid passage, in which the Tuscan Thucydides de

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