Sangeet Natak, Issues 119-122

able acting actor aesthetic Akademi appear artists aspect become Bengal called century Chachu Chakyar chapter character classical communication compositions concept context course create cultural dance deals detail developed discussion distinct drama effect emotional example experience expression fact feeling give hand Hindustani human important Indian individual karaṇa Khayal kind known Koothu Kutiyattam language look meaning mentioned merely mind movement nature never notes performance perhaps period person play position possible practice present provides puppet question rāga Rama reason reference region relation religion religious respect rhythm rituals roles Sangeet Natak Sanskrit seen significance social society sound specific speech stage story structure style swaras symbolic taken Tamil teaching temple theatre thing tion tradition understand University various voice writing Yakṣagāna