FROM A DRAWING BY JOHN GREIG ENGRAVED IN COWPER ILLUSTRATED BY A SERIES
The distant plough slow moving, and beside
His labouring team, that swerved not from the track,
The sturdy swain diminished to a boy.
Here Ouse, slow winding through a level plain
Of spacious meads with cattle sprinkled o'er,
Conducts the eye along his sinuous course
Delighted. There, fast rooted in his bank,
Stand, never overlooked, our favourite elms,
That screen the herdsman's solitary hut;
While far beyond, and overthwart the stream,
That, as with molten glass, inlays the vale,
The sloping land recedes into the clouds;
Displaying on its varied side the grace
Of hedge-row beauties numberless, square tower,
Tall spire, from which the sound of cheerful bells
Just undulates upon the listening ear;
Groves, heaths, and smoking villages remote.
Scenes must be beautiful which, daily viewed,
Please daily, and whose novelty survives
Long knowledge and the scrutiny of years:
Praise justly due to those that I describe.'
Nor rural sights alone, but rural sounds
Exhilarate the spirit, and restore
The tone of languid nature. Mighty winds,
That sweep the skirt of some far-spreading wood
Of ancient growth, make music not unlike
The dash of ocean on his winding shore,
And lull the spirit while they fill the mind,.
Unnumbered branches waving in the blast,
And all their leaves fast fluttering, all at once.
Nor less composure waits upon the roar
Of distant floods, or on the softer voice
Of neighbouring fountain, or of rills that slip
Through the cleft rock, and, chiming as they fall
Upon loose pebbles, lose themselves at length
In matted grass, that with a livelier green
Betrays the secret of their silent course.
Nature inanimate employs sweet sounds,
But animated nature sweeter still,
To soothe and satisfy the human ear.
Ten thousand warblers cheer the day, and one
The livelong night; nor these alone, whose notes
Nice-fingered art must emulate in vain,
But cawing rooks, and kites that swim sublime
In still repeated circles, screaming loud,
The jay, the pie, and even the boding owl
That hails the rising moon, have charms for me.
Sounds inharmonious in themselves and harsh,
Yet, heard in scenes where peace for ever reigns,
And only there, please highly for their sake.
Peace to the artist, whose ingenious thought
Devised the weather-house, that useful toy!
Fearless of humid air and gathering rains
Forth steps the man, an emblem of myself;
More delicate, his timorous mate retires.
When winter soaks the fields, and female feet,
Too weak to struggle with tenacious clay,
Or ford the rivulets, are best at home,
The task of new discoveries falls on me.
At such a season, and with such a charge,
Once went I forth, and found, till then unknown,
A cottage, whither oft we since repair:
'Tis perched upon the green-hill top, but, close
Environed with a ring of branching elms
That overhang the thatch, itself unseen,
Peeps at the vale below; so thick beset
With foliage of such dark redundant growth,
I called the low-roofed lodge the Peasant's Nest. +
And, hidden as it is, and far remote
From such unpleasing sounds as haunt the ear
In village or in town, the bay of curs
Incessant, clinking hammers, grinding wheels,
And infants clamorous whether pleased or pained,
Oft have I wished the peaceful covert mine.
Here, I have said, at least I should possess
The poet's treasure, silence, and indulge
The dreams of fancy, tranquil and secure.
Vain thought! the dweller in that still retreat
Dearly obtains the refuge it affords.
Its elevated site forbids the wretch
To drink sweet waters of the crystal well;
He dips his bowl into the weedy ditch,
And heavy-laden brings his beverage home,
Far-fetched and little worth: nor seldom waits,
Dependent on the baker's punctual call,
To hear his creaking panniers at the door,
Angry and sad, and his last crust consumed.
So farewell envy of the Peasant's Nest.
If solitude make scant the means of life,
Society for me!-Thou seeming sweet,
Be still a pleasing object in my view,
My visit still, but never mine abode.
Not distant far, a length of colonnade
Invites us: monument of ancient taste,
Now scorned, but worthy of a better fate.
Our fathers knew the value of a screen
From sultry suns, and in their shaded walks
And long protracted bowers enjoyed at noon
The gloom and coolness of declining day.
We bear our shades about us: self-deprived
Of other screen, the thin umbrella spread,
And range an Indian waste without a tree.
Thanks to Benevolus *-he spares me yet
These chestnuts ranged in corresponding lines,
And, though himself so polished, still reprieves
The obsolete prolixity of shade.
Descending now (but cautious lest too fast)
A sudden steep, upon a rustic bridge
We pass a gulf, in which the willows dip
Their pendent boughs, stooping as if to drink.
Hence, ankle-deep in moss and flowery thyme,
We mount again, and feel at every step
Our foot half sunk in hillocks green and soft,
Raised by the mole, the miner of the soil.
He, not unlike the great ones of mankind,
Disfigures earth, and, plotting in the dark,
Toils much to earn a monumental pile,
That may record the mischiefs he has done.
The summit gained, behold the proud alcove
That crowns it! yet not all its pride secures
The grand retreat from injuries impressed
By rural carvers, who with knives deface
The panels, leaving an obscure rude name,
In characters uncouth, and spelt amiss.
So strong the zeal to immortalize himself
Beats in the breast of man, that even a few,
Few transient years, won from the abyss abhorred
Of blank oblivion, seem a glorious prize,
And even to a clown. Now roves the eye,
And posted on this speculative height
Exults in its command. The sheepfold here
Pours out its fleecy tenants o'er the glebe.
At first, progressive as a stream, they seek
The middle field; but scattered by degrees,
Each to his choice, soon whiten all the land.
There from the sunburnt hayfield homeward creeps
The loaded wain, while, lightened of its charge,
The wain that meets it passes swiftly by,
The boorish driver leaning o'er his team
Vociferous, and impatient of delay.
* John Courtenay Throckmorton, Esq., of Weston Underwood.
Nor less attractive is the woodland scene,
Diversified with trees of every growth,
Alike yet various. Here the grey smooth trunks
Of ash, or lime, or beech, distinctly shine,
Within the twilight of their distant shades;
There lost behind a rising ground, the wood
Seems sunk, and shortened to its topmost boughs.
No tree in all the grove but has its charms,
Though each its hue peculiar: paler some,
And of a wannish grey; the willow such,
And poplar that with silver lines his leaf,
And ash far stretching his umbrageous arm;
Of deeper green the elm; and deeper still,
Lord of the woods, the long-surviving oak.
Some glossy-leaved, and shining in the sun,
The maple, and the beech of oily nuts
Prolific, and the lime at dewy eve
Diffusing odours: nor unnoted
The sycamore, capricious in attire,
Now green, now tawny, and, ere autumn yet
Have changed the woods, in scarlet honours bright.
O'er these, but far beyond (a spacious map
Of hill and valley interposed between),
The Ouse, dividing the well-watered land,
Now glitters in the sun, and now retires,
As bashful, yet impatient to be seen.
Hence the declivity is sharp and short,
And such the re-ascent; between them weeps
A little Naiad her impoverished urn
All summer long, which winter fills again.
The folded gates would bar my progress now,
But that the lord of this enclosed demesne,
Communicative of the good he owns,
Admits me to a share: the guiltless eye
Commits no wrong, nor wastes what it enjoys.
Refreshing change! where now the blazing sun?
By short transition we have lost his glare,
And stepped at once into a cooler clime.
Ye fallen avenues! once more I mourn
Your fate unmerited, once more rejoice
That yet a remnant of your race survives.
How airy and how light the graceful arch,
Yet awful as the consecrated roof
Re-echoing pious anthems! while beneath
The chequered earth seems restless as a flood
Brushed by the wind. So sportive is the light
* See the foregoing note.
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