The Plays and Poems of William Shakspeare, Volume 1R. C. and J. Rivington, 1821 - Theater |
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Page viii
... quarto in Hamlet's celebrated soliloquy , " And enterprizes of great pitch and moment , " is better : I should not wish it to be thought that I adopt his explanation , " The allusion is to the pitching or throw- ing the bar - a manly ...
... quarto in Hamlet's celebrated soliloquy , " And enterprizes of great pitch and moment , " is better : I should not wish it to be thought that I adopt his explanation , " The allusion is to the pitching or throw- ing the bar - a manly ...
Page xi
... quartos of Shakspeare in 1766 , is one of the most grossly incorrect performances that I have ever seen ; and his edition of our poet's plays , in conjunction with Dr. Johnson in 1773 , was scarcely less objectionable . The following ...
... quartos of Shakspeare in 1766 , is one of the most grossly incorrect performances that I have ever seen ; and his edition of our poet's plays , in conjunction with Dr. Johnson in 1773 , was scarcely less objectionable . The following ...
Page xii
... quartos add : " Lear . No , no , they would not . " Kent . Yes , they have . " . " By the admission of this negation and ... quarto : " Ophelia . Good , my Lord , " How does your honour for this many a day ? " Hamlet . I humbly thank you ...
... quartos add : " Lear . No , no , they would not . " Kent . Yes , they have . " . " By the admission of this negation and ... quarto : " Ophelia . Good , my Lord , " How does your honour for this many a day ? " Hamlet . I humbly thank you ...
Page xiii
... quarto has all the appearance of being an imperfect sketch by the author himself , I have given the various readings very much in detail , as it is a matter of interesting curiosity , should this conjecture be correct , to trace the ...
... quarto has all the appearance of being an imperfect sketch by the author himself , I have given the various readings very much in detail , as it is a matter of interesting curiosity , should this conjecture be correct , to trace the ...
Page xiv
... quarto has shrupt , which is , I confess , to me , unintelligible ; but in the same manner , beteem in Hamlet , " That he might not beteem the winds of heaven " Visit her face too roughly , " was for a long period supposed to be a ...
... quarto has shrupt , which is , I confess , to me , unintelligible ; but in the same manner , beteem in Hamlet , " That he might not beteem the winds of heaven " Visit her face too roughly , " was for a long period supposed to be a ...
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Common terms and phrases
acquaintance admirers ancient appears Ben Jonson Cæsar censure character collation comedy conjecture correct corrupted criticism death drama dramatick edition editor emendation English engraving errors favour French genius gentleman Hamlet hath honour imitation instance John Jonson judgment Juliet Julius Cæsar King Henry King Lear labour language late Latin learning letter lines Lond Love's Labour's Lost Lover's Melancholy Macbeth Malone Malone's meaning Merchant of Venice metre modern nature never notes obscure observed old copies opinion original passage perhaps pieces players plays poem poet poet's poetry Pope portrait praise preface prefixed present printed publick published quarto reader reason remarks Romeo and Juliet says scene second folio seems Shak Shakspeare Shakspeare's stage Steevens supposed syllables Theobald thing thou thought tion Titus Andronicus tragedy translation Troilus and Cressida truth verse Winter's Tale words writer written
Popular passages
Page 236 - tis a common proof, That lowliness is young ambition's ladder, Whereto the climber upward turns his face; But when he once attains the upmost round, He then unto the ladder turns his back, Looks in the clouds, scorning the base degrees By which he did ascend.
Page 476 - For though the Poet's matter Nature be His art doth give the fashion. And that he Who casts to write a living line, must sweat (Such as thine are), and strike the second heat Upon the Muses...
Page 62 - Shakespeare is, above all writers, at least above all modern writers, the poet of nature ; the poet that holds up to his readers a faithful mirror of manners and of life.
Page 449 - I loved the man, and do honour his memory, on this side idolatry, as much as any. He was, indeed, honest, and of. an open and free nature, had an excellent fancy, brave notions, and gentle expressions ; wherein he flowed with that facility, that sometimes it was necessary he should be stopped : Snfflaminandus erat, as Augustus said of Haterius.
Page 484 - WHAT needs my Shakespeare for his honoured bones, The labour of an age in piled stones, Or that his hallowed relics should be hid Under a star-ypointing pyramid? Dear son of memory, great heir of fame, What need'st thou such weak witness of thy name? Thou in our wonder and astonishment Hast built thyself a live-long monument. For whilst to th...
Page xlvi - I behold like a Spanish great galleon and an English man-of-war. Master Coleridge, like the former, was built far higher in learning, solid, but slow in his performances. CVL, with the English man-of-war, lesser in bulk, but lighter in sailing, could turn with all tides, tack about, and take advantage of all winds, by the quickness of his wit and invention.
Page 459 - Taint not thy mind, nor let thy soul contrive Against thy mother aught; leave her to heaven, And to those thorns that in her bosom lodge To prick and sting her.
Page 473 - To draw no envy, Shakespeare, on thy name, Am I thus ample to thy book and fame, While I confess thy writings to be such As neither man nor muse can praise too much.
Page 64 - Shakespeare has no heroes; his scenes are occupied only by men who act and speak as the reader thinks that he should himself have spoken or acted on the same occasion: even where the agency is supernatural, the dialogue is level with life.
Page 454 - And then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woeful ballad Made to his mistress