Doing Things with Texts: Essays in Criticism and Critical TheoryThis volume brings together for the first time influential essays and reviews by one of our most important literary critics. Spanning three decades, the essays concern themselves with the most central development themes in recent criticism, from the New Criticism to the much-debated "Newreading" and "New Historicism." Two other essays discuss the emergence of the remarkably influential modern view that a work in the fine arts is an autonomous object, and another offers an extraordinary overview of the history of criticism from Plato and Aristotle to Jacques Derrida and Paul de Man. |
Contents
Whats the Use of Theorizing about the Arts? | 31 |
A Note on Wittgenstein and Literary Criticism | 73 |
Belief and the Suspension of Disbelief | 88 |
Rationality and Imagination in Cultural History | 113 |
The Sociology of Modern | 135 |
Modern Aesthetics | 159 |
Five Types of Lycidas | 191 |
Postscript to Five Types of Lycidas | 212 |
The Deconstructive Angel | 237 |
Behaviorism and Deconstruction | 253 |
How to Do Things with Texts | 269 |
Construing and Deconstructing | 297 |
A Colloquy on Recent Critical Theories | 333 |
On Political Readings of Lyrical Ballads | 364 |
NOTES | 393 |
| 421 | |
Other editions - View all
Doing Things with Texts: Essays in Criticism and Critical Theory Meyer Howard Abrams Limited preview - 1989 |
Common terms and phrases
Abrams achieve aesthetic applied archetypal Aristotle art-as-such artistic aspects assertions beauty Booth calls century cism claim Cleanth Brooks Coleridge concept constitute construed contemplation criteria critical theory deconstructive criticism Derrida différance discourse distinctive diverse effect ence essay example experience expression fact Frye function ground heterocosmic Hillis Miller human I. A. Richards imagination imitation interpretation Jacques Derrida Kant kind language language-game linguistic literary criticism literature logical logocentric Lycidas lyric speaker M. H. Abrams meaning ment metaphor metaphysical Milton mode moral Morris Weitz Natural Supernaturalism object particular passages Peckham philosophical play poem poet poetic poetry political possible premises principle procedures question radical reader reading reference Romantic Romanticism seems sense signified social specific Stanley Fish strategy structure T. S. Eliot theorists things Tintern Abbey tion traditional truth utterance valid values Weitz Wittgenstein words Wordsworth's writing



