Southampton, who, when in London, was an active playgoer, was General of the Horse in Essex's army in Ireland. At the close of the year 1599 Shakespeare sought to impale the arms of Arden with the arms of Shakespeare. The heralds found that the family of Arden was entitled to arms, but it seems that the grant was not ratified. In 1599 the Globe Theatre was opened. There is occasional complaint by a writer of plays that actors were more prosperous than dramatists, an inference that seems to have been partly drawn from the fine velvet and silk attire in which actors rode through a town when they sought to call attention to their presence. Shakespeare derived his income from the theatre in each of those two ways. As soon as he could pay his footing he became also one of the shareholders who divided any balance of profit after payment of all outlay for plays, players, and general expenses of the theatre. The first Globe Theatre was built in Southwark on Bankside, about two hundred yards from the river and between St. Mary Overies and the Bear Garden, partly with materials removed from the first Theatre in Shoreditch, which fell out of use in 1598. The new theatre, so built, was called "the Globe," and opened in 1599. The Blackfriars Theatre was formed in a private house of which James Burbage bought the freehold in May, 1596. Shakespeare was a shareholder in the Globe, but had sold his shares before the burning of that first Globe Theatre, in 1613. Outwardly it was a tall, round, windowless enclosure, with a door below and a small structure with a flag on it projecting from the top. This was the place whence the trumpeter called to the outer world to come inside. sketch of the inside of the Swan Theatre was made in his diary in 1596 by a John de Witt, who was then visiting London. The diary was found by Dr. Gaedertz in the Royal Library at Berlin, and De Witt's sketch of the inside of an A Elizabethan theatre was published by Dr. Gaedertz in 1888 in his book on the Old English Stage. The building within was open to the sky, except that the small look-out room at the top was roofed, and the back part of the stage containing the raised gallery; the roof here rested on a pillar at each side, and under the gallery were two doors from the "mimorum ædes" for the entrances and exits of the actors. From that covered part of the stage a large raised platform spread into the open, to give as much space as possible to the actors of the play; around and before this was the standing-room that answered to the modern pit. There were built round the walls a lower and an upper gallery, in which seats were provided. A third gallery, highest of all, was under shelter of a slight projection of roof from the top of the walls, which answered for that uppermost circle to the shelter given to each of the galleries below by the floor of the circle above it. Thus, the spectators on the ground below stood, and were open to weather; the spectators in the galleries sat, and had shelter overhead. The actors had overhead shelter at the back of their stage, but none at the proscenium. It was in the year 1600 that Henslowe and Alleyn built the Fortune Theatre, in or near Golden Lane, St. Giles'swithout-Cripplegate. In June, 1600, the Privy Council ordered that there should be only two theatres in and about the City of London. As the Globe replaced the old house called the Theatre, the Fortune was to be in place of its old companion house, the Curtain; and the Curtain, like the Theatre, should be pulled down. Still there was acting in the Curtain. On the thirty-first of December, 1600, the Privy Council complained that more theatres had been allowed than but two houses, one in Middlesex called the Fortune (opened in November, 1600), and one in Surrey called the Globe. In 1601, on the eighth of September, John Shakespeare was buried at Stratford. In May, 1602, there is more evidence of Shakespeare's prosperity, in purchase from the Combes of a hundred and seven acres of land near the town, for £320. He was then busy elsewhere, and the conveyance was delivered to him through his brother Gilbert. In the following October came the payment of a second sixty pounds for New Place, not in fulfilment of the original agreement, but as fine for correction of a flaw in the lease. In lives enwoven lies the life of Home: The daily fellowship of kindred thought, Where to one battle young and old are brought In lives enwoven lies a Nation's life: Only from day to day upgrows her power, INDEX. A Accolti, Bernardo, 333 Achelley, Thomas, 368, 369, "Acolastus his Afterwitte," 491, 492 in Germany, 27-29 86 Affania" Fitzgeoffrey's, 198 Alcazar, Battle of," Peele's, 35-41 Alleyn, Edward, 48, 49, 115 "All's Well that Ends Well," 331-335 66 Alphonsus, King of Greene's, 30-35 Aragon," "Amorous Contention of Thetis and 99 Blackfriars Theatre, 23 Blank Verse, 30, 126 Blount, Sir Charles, 81 Bodenham, Francis, 362-365 Boiardo, Tofte's Translation from, 488 Bounym, Gabriel, 373 Breton, Nicholas, 492, 493 Brownswerd, John, 366 Bull in Bishopsgate, Acting at the, 23 Burbage, Cuthbert, 21 , James, 21, 22 , Richard, 48, 138 Burcot, Dr., 176 B Bacon, Francis, 493 Ballad Singers, 176, 207 Dickenson, John, 488, 489 "Dido Queen of Carthage," Mar- "Diego and Ginevra," 481 Digby, Everard, 63, 64, 81 Dorrell, Hadrian, 484, 485 Drake, Sir Francis, Fitzgeoffrey's Drayton, Michael, 54, 65, 136, 209-- 211, 314-321, 366, 367, 418 Fidessa," Bartholomew Griffin's, 479 Fitzgeoffrey, Charles, 198, 325 Forman, Simon, 229, 248, 249 184-188 "Fraternitye of Vacabonds," Awde- Fraunce, Abraham, 82 "Friar Bacon and Friar Bungay, |