Шевченко в образотворчому мистецтвіGeorge S. N. Luckyj, George Stephen Nestor Luckyj, Canadian Institute of Ukrainian Studies |
Contents
Introduction BOHDAN RUBCHAK | 3 |
Graveside Oration PANTELEIMON KULISH | 55 |
Why Shevchenko is a Poet of Our People PANTELEIMON KULISH | 57 |
Copyright | |
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artist ballad basic profile become Belinsky Bilozersky brother Brotherhood chenko Cossack creative criticism culture Decembrists Drahomanov dumy émigré evil example exile expressed fact folklore Franko friends German girl Haidamaky heart hetmans human ideas ideological influence interest ioho Ivan Ivan Franko Kateryna kazhe Kharkiv khto Kiev Kobzar Kostomarov Kulish land-owners language later letters literary Little Russian liudy live Lviv lyrical Mariia Marusia Mickiewicz's minstrel Moscow mother motifs Muscovite muzhik orphan Panteleimon Kulish peasant Perebendia poet poet's poetic pokrytka Polish political Priima projected profile published punishment reader religious revolutionary rhymes romantic romanticism Saints Cyril scholars serfdom shcho Shev Shevchenko scholarship Shevchenko's poem Shevchenko's poetry Slavic Slavs social song soul Soviet St Petersburg studies style Taras Taras Shevchenko theme thought Three-Leaved Herb Topolia truth tsars Ukraine Ukraine's Ukrainian literature voliu water nymphs Western Ukrainian words writing wrote Zaporozhians zemli