The Drama, Painting, Poetry, and Song: Embracing a Complete History of the Stage; an Exhaustive Treatise on Pictorial Art; a Choice Collection of Favorite Poems, and Popular Songs of All Nations |
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Page 63
... coloring of romantic poetry to the forms borrowed by his learning from Grecian legend and history . THOMAS DEKKER , one of the most inexhaustible of the literary workers of his age , though he generally appears as a fellow - laborer ...
... coloring of romantic poetry to the forms borrowed by his learning from Grecian legend and history . THOMAS DEKKER , one of the most inexhaustible of the literary workers of his age , though he generally appears as a fellow - laborer ...
Page 64
... coloring of fancy and imagination , but the profoundest and simplest precepts derived from the practical experience of life . It should never be forgotten that they all resemble Shakspeare in the general texture of their language and ...
... coloring of fancy and imagination , but the profoundest and simplest precepts derived from the practical experience of life . It should never be forgotten that they all resemble Shakspeare in the general texture of their language and ...
Page 68
... coloring of natural beauty ; for the frequent descriptions of rural objects possess the richness , the accuracy , and the fancifulness of Fletcher , of Jonson , or of Shakspeare himself . Though the dialogue itself be lyrical in its ...
... coloring of natural beauty ; for the frequent descriptions of rural objects possess the richness , the accuracy , and the fancifulness of Fletcher , of Jonson , or of Shakspeare himself . Though the dialogue itself be lyrical in its ...
Page 69
... coloring or natural passion , but dealt exclusively with personages in high life and of transcendent virtue or ambition ; with fierce com- bats and splendid processions ; with superhuman love and beauty ; and with long dialogues ...
... coloring or natural passion , but dealt exclusively with personages in high life and of transcendent virtue or ambition ; with fierce com- bats and splendid processions ; with superhuman love and beauty ; and with long dialogues ...
Page 202
... coloring given by Alfieri to Italian tragedy reappears in the plays of Ugo Foscolo ( 1760-1827 ) , and Manzoni ( 1784-1873 ) , both of whom were under the influence of the romantic school of modern literature . The former echoed the cry ...
... coloring given by Alfieri to Italian tragedy reappears in the plays of Ugo Foscolo ( 1760-1827 ) , and Manzoni ( 1784-1873 ) , both of whom were under the influence of the romantic school of modern literature . The former echoed the cry ...
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The Drama, Painting, Poetry, and Song: Embracing a Complete History of the ... Albert Ellery Berg No preview available - 2015 |
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Popular passages
Page 591 - For I dipt into the future, far as human eye could see, Saw the Vision of the world, and all the wonder that would be; Saw the heavens fill with commerce, argosies of magic sails, Pilots of the purple twilight, dropping down with costly bales ; Heard the heavens fill with shouting, and there rain'da ghastly dew From the nations...
Page 598 - THE shades of night were falling fast, As through an Alpine village passed A youth, who bore, 'mid snow and ice, A banner with the strange device, Excelsior! His brow was sad; his eye beneath, Flashed like a falchion from its sheath, And like a silver clarion rung The accents of that unknown tongue, Excelsior...
Page 587 - The gay will laugh When thou art gone; the solemn brood of care . Plod on, and each one as before will chase His favorite phantom; yet all these shall leave Their mirth and their employments, and shall come, And make their bed with thee.
Page 593 - She looked down to blush, and she looked up to sigh, With a smile on her lips and a tear in her eye. He took her soft hand ere her mother could bar, — "Now tread we a measure !
Page 585 - Mine eyes have seen the glory of the coming of the Lord : He is trampling out the vintage where the grapes of wrath are stored ; He hath loosed the fateful lightning of His terrible Swift Sword ; His truth is marching on. I have seen Him in the watch-fires of a hundred circling camps ; They have builded Him an altar in the evening dews and damps ; I can read His righteous sentence by the dim and flaring lamps : His day is marching on. I have read a fiery gospel writ in burnish'd rows of steel ; "As...
Page 563 - I REMEMBER. I REMEMBER, I remember, The house where I was born, The little window where the sun Came peeping in at morn : He never came a wink too soon, Nor brought too long a day ; But now, I often wish the night Had borne my breath away. I REMEMBER, I REMEMBER.
Page 559 - Where are the flowers, the fair young flowers, that lately sprang and stood In brighter light and softer airs, a beauteous sisterhood ? Alas! they all are in their graves; the gentle race of flowers Are lying in their lowly beds, with the fair and good of ours. The rain is falling where they lie, but the cold November rain Calls not from out the gloomy earth the lovely ones again.
Page 566 - The splendor falls on castle walls And snowy summits old in story: The long light shakes across the lakes, And the wild cataract leaps in glory. Blow, bugle, blow, set the wild echoes flying, Blow, bugle ; answer, echoes, dying, dying, dying.
Page 591 - Slowly comes a hungry people, as a lion, creeping nigher, Glares at one that nods and winks behind a slowly-dying fire. Yet I doubt not thro' the ages one increasing purpose runs, And the thoughts of men are widen'd with the process of the suns.
Page 589 - As the husband is, the wife is : thou art mated with a clown, And the grossness of his nature will have weight to drag thee down. He will hold thee, when his passion shall have spent its novel force, Something better than his dog, a little dearer than his horse.